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There is a small engraving by Bonasoni, in a series of the Life of the Virgin, apparently after Parmigiano, in which the apostles bear her on their shoulders over rocky ground, and appear to be descending into the Valley of Jehoshaphat: underneath are these lines: "Portan gli uomini santi in su le spalle Al Sepolcro il corpo di Maria Di Josaphat nella famosa valle."
Both aimed at colossal achievements in their respective fields of action. The imagination of both was fired by large and simple, rather than luxurious and subtle thoughts. Both were uomini terribili, to use a phrase denoting vigour of character made formidable by an abrupt uncompromising temper.
The allusion is to the Pygmalion who was Dido's brother, and who murdered her husband, the priest Sichæus, for his riches. This beautiful and affecting image is followed in the original by one of the most fantastical conceits of the time. "Chi nel viso de gli uomini legge o m o, Bene avria quivi conosciuto l'emme."
Boniface VIII had no prepossessions in Florence, except for energy and an open hand; the side which was most popular he would have accepted and backed. But he said, "Io non voglio perdere gli uomini perle femminelle."
See especially a roundel in the Bargello, and the altar-piece in the church of Monte Oliveto at Naples. Those who wish to understand Rossellino should study him in the latter place. In the church of Samminiato, near Florence. Vite di Uomini Illustri, pp. 152-157. These tombs in the Badia were erected for Count Ugo, Governor of Tuscany under Otho II., and for Messer Bernardo Giugni.
They have a collection of "Lettere di Tredici Uomini Illustri," which appeared in 1571; another more curious, relating to princes "Lettere de' Principi le quali o si scrivono da Principi a Principi, o ragionano di Principi;" Tenezia, 1581, in 3 vols. quarto.
"Ridotta tutta in somma pace e tranquillita, coltivata non meno ne' luoghi piu montuosi e piu sterili che nelle pianure e regioni piu fertili, ne sottoposta ad altro imperio che de' suoi medesimi, non solo era abbondantissima d' abitatori e di ricchezze; ma illustrata sommamente dalla magnificenza di molti principi, dallo splendore di molte nobilissime e bellissime citta, dalla sedia e maesta della religione, fioriva d' uomini prestantissimi nell' amministrazione delle cose pubbliche, e d'ingegni molto nobili in tutte le scienze, ed in qualunque arte preclara ed industriosa."
He was both unwilling and unable to withdraw himself from the bad company with whom his ill gotten wealth connected him. He did not consider that bad company leads to the gallows. * * La mala compagnia e quella che mena uomini a la forca. The universal confusion which followed the eruption of Mount Vesuvius was to these villains a time of rejoicing.
Now began what Condivi called "The Tragedy of the Tomb"; the phrase is so apt that we imagine he must have got it from Michael Angelo himself. Julius appears to have appreciated his artist from the first; both were what the Italians call uomini terribili, men whose brains worked with furious energy, grand and formidable in their imaginations.
She was a Genoese, and proud as the snow. Why did Giuliano love her? Did he love her, indeed? He was bewitched then, for she was cold, and a brazen creature in spite of it. How dare she bare her neck so! Oh! 'twas Genoese. "Uomini senza fede e donne senza vergogna," they quoted as they ran.
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