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Updated: June 4, 2025
Farquhar's face fell. "I thought you did love me. You always seemed so glad when I came and sorry when I left; and you enjoyed talking to me, and we understood each other, and were happy together. Can you deny that?" "No; it is all true.
He was very much wrapped up in furs and cloaks, and the upper, exposed part of his face was sunk and hollow, like that of one but partially recovered from illness. Mr and Miss Benson were at Mr Farquhar's, gone to see Leonard, and poor old Sally had been having a hearty cry over the kitchen fire before answering the door-knock.
As soon as he heard Farquhar's voice, he seized hold of the whiffletrees, struck his team a sharp blow with the lines their first blow that day swung them round to the top of the tree, ran the chain through its swivel, hooked an end round each of the top lengths, swung them in toward the butt, unhooked his chain, gathered all three lengths into a single load, faced his horses toward the pile, and shouted at them.
Farquhar's interpretation of Italian Renaissance in this interesting building is replete with charming detail; it is truly expressive of its festival purposes. It is seen to best advantage when reflected in the South Garden Pool, from the circle surrounding the Fountain of Energy, and from the Court of Flowers. The Palace of Machinery
Mr Bradshaw tossed the letter on one side, not displeased to have a good reason for feeling a little contempt at the unbusiness-like forgetfulness of Mr Benson, at whose instance some one had evidently been writing to the Insurance Company. On Mr Farquhar's entrance he expressed this feeling to him.
Tompion was a most exquisite mechanic, proud of his work and jealous of his name. He is the Tompion who figured in Farquhar's play of "The Inconstant;" and Prior mentions him in his "Essay on Learning," where he says that Tompion on a watch or clock was proof positive of its excellence. A person once brought him a watch to repair, upon which his name had been fraudulently engraved.
The Fainalls, etc. Fainall in Congreve's "Way of the World," Mirabel in Farquhar's "Inconstant," Dorimant in Etheredge's "Man of Mode," and Lady Touchstone in Congreve's "Double Dealer." Angelica. In "Love for Love." Sir Simon, etc. All these characters are in Wycherley's "Love in a Wood." King. Miss Pope. Candour, left the stage in 1808. Manager's comedy.
A fresh sun-gleam burst into the room, and they looked at each other with glad, anticipating eyes. Jemima came in, ostensibly to seek for a book, but really from that sort of restless weariness of any one place or employment, which had taken possession of her since Mr Farquhar's return. She stood before the bookcase in the recess, languidly passing over the titles in search of the one she wanted.
Every touch of fancy which could heighten her idea of their enjoyment, and of Mr Farquhar's attention to the blushing, conscious Ruth every such touch which would add a pang to her self-reproach and keen jealousy, was added by her imagination. She got up and walked about, to try and stop her over-busy fancy by bodily exercise.
There was nothing of the man about him, and it did not matter to his sublimely selfish caddishness whether he broke Frances Farquhar's heart or not. He got his freedom and he married Maud Carroll in six months' time. The Farquhars, especially Ned, who was Frances's older brother and seldom concerned himself about her except when the family honour was involved, were furious at the whole affair. Mr.
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