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But in its own world do we feel the creature is so very bad? The Fainalls and the Mirabels, the Dorimants and the Lady Touchwoods, in their own sphere, do not offend my moral sense; in fact they do not appeal to it at all. They seem engaged in their proper element. They break through no laws, or conscientious restraints. They know of none.
The Fainalls and the Mirabels, the Dorimants, and Lady Touchwoods, in their own sphere do not offend my moral sense or, in fact, appeal to it at all. They seem engaged in their proper element. They break through no laws, or conscientious restraints. They know of none.
The Fainalls, etc. Fainall in Congreve's "Way of the World," Mirabel in Farquhar's "Inconstant," Dorimant in Etheredge's "Man of Mode," and Lady Touchstone in Congreve's "Double Dealer." Angelica. In "Love for Love." Sir Simon, etc. All these characters are in Wycherley's "Love in a Wood." King. Miss Pope. Candour, left the stage in 1808. Manager's comedy.
But in its own world do we feel the creature is so very bad? The Fainalls and the Mirabels, the Dorimants and the Lady Touchwoods, in their own sphere, do not offend my moral sense; in fact, they do not appeal to it at all. They seem engaged in their proper element. They break through no laws or conscientious restraints. They know of none.
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