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In a word, the three groups of images present to a great extent the character of externality and objectivity. The clearness of form of these three groups proceeds from their origin, because they arise from sensation well determined in space sight, movement, touch. Plastic imagination depends most on spatial conditions.
Everything referring merely to utility, externality, and the like, must be excluded from its philosophic treatment. That the State is the self-determining and the completely sovereign will, the final decision being necessarily referred to it that is easy to comprehend. The difficulty lies in grasping this "I will" as a person. By this it is not meant that the monarch can act arbitrarily.
God is not heart of our heart and reason of our reason, but our magistrate, rather; and mechanically to obey his commands, however strange they may be, remains our only moral duty. Conceptions of criminal law have in fact played a great part in defining our relations with him. Our relations with speculative truth show the same externality.
In a sense it is accidental. The content of all historic revelation is conditioned in the circumstances of the man to whom the revelation is addressed. It is clear that the whole matter of revelation is thus apprehended by Kant with more externality than we should have believed. His thought is still essentially archaic and dualistic.
Whether one regard Time as a mode of the unique substance, whether it be defined as one of the forms of the conscious ego, or an abstract phase of the immediate externality, or whether one regard it purely as a law, a relation resulting from the progression of Reality, we can affirm that one hundred years is a certain space of time.
Degas has done this, not as Flandren tried to, by reproducing the externality of the master's work, but as only a man of genius could, by the application of the method to new material. Degas's early pictures, "The Spartan Youths" and "Semiramis building the Walls of Babylon". are pure Ingres. To this day Degas might be very fairly described as un petit Ingres.
That was the explanation. It could only be that ah! it was that, that, and nothing but that. And as he viewed the delicate, elusive externality of the southern town, he remembered that he had kissed her he had kissed her by force!
Thus, the ideas of the unity and externality attributed to the object in the act of perception are said by the associationist to answer to a matter of fact, namely, the permanent coexistence of certain possibilities of sensation, and the dependence of the single sensations of the individual on the presence of the most permanent of these possibilities, namely, those of the active or muscular and passive sensations of touch, which are, moreover, by far the most constant for all minds.
This is the method with even some writers of good gifts and deserved name. Compared with Goethe, who, sensuous as he is, but healthily sensuous, writes always from within outward, Schiller is chargeable with this kind of externality. To try to make the fancy do the work of feeling is a vain effort. And so much verse is of the memory and fancy more than of the heart and imagination.
Once found out, however, and he seems to himself to have lost all claim to decent usage. It is perhaps the strongest instance of his externality. His wife may do what she pleases, and though he may groan, it will never occur to him to blame her; he has no weapon left but tears and the most abject submission.
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