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Updated: June 29, 2025
Did not the penniless adventurer, whose keen eyesight and wise recklessness were passing for hallucination and foolhardiness in the eyes of his contemporaries, understand the game he was playing better than did that profound thinker, that mysterious but infallible politician, who sat in the Escorial and made the world tremble at every hint of his lips, every stroke of his pen?
He was the man to prove, too, for the instruction of the patient letter-writer of the Escorial, that the crown of France was to be won with foot in stirrup and carbine in hand, rather than to be caught by the weaving and casting of the most intricate nets of diplomatic intrigue, though thoroughly weighted with Mexican gold.
Had he now allowed himself to be driven from his post, he would have exactly fulfilled their object. By remaining, he counteracted their schemes. By taking Matthias wholly into his own possession, he obtained one piece the more in the great game which he was playing against his antagonist in the Escorial.
And the great chief of this national patriotic party was not Henry of Guise, but the industrious old man who sat writing despatches in the depths of the Escorial. Spanish counsels, Spanish promises, Spanish ducats these were the real machinery by which the plots of Guise against the peace of France and of Europe were supported.
When the "Last Supper" painted by Titian reached the Escorial, it was found to be too large for the space it was to occupy in the refectory. The king ordered it to be cut, which so distressed El Mudo that he offered to copy it in six months, in reduced size, and to forfeit his head if he did not fulfil his promise.
Carlos repeated his order in a peremptory manner, and the postmaster now sent all the horses out, and proceeded with the news to the king at the Escorial. Philip immediately returned to Madrid, where, the next morning, Carlos attacked his uncle, Don John of Austria, with a drawn sword, because the latter refused to repeat a conversation he had had with the king.
On being at last set free from bondage he had been taken to the Escorial, and permitted to kiss the hand of the king that hand still reeking with his father's murder. He had been well received by the Infante and the Infanta, and by the empress-mother, daughter of Charles V., while the artistic treasures of the palace and cloister were benignantly pointed out to him.
The Escorial has been many times described; I myself forbear with difficulty the attempt to describe it, and I satisfy my longing to set it visibly before the reader by letting an earlier visitor of my name describe it for me.
He was fond of quiet, he was a great negotiator, distinguished for phlegm and modesty, disinclined to long journeys, particularly to sea voyages, which were very painful to him. Moreover, he was then building his Escorial with so much taste and affection that it was impossible for him to leave home."
He painted pictures in the great cathedral of the Escorial and the "Guardian Angel" was one of them. Also, he painted "St. Anthony of Padua," and of this picture there is one of those absurd stories meant to illustrate the perfection of art. It is said that the lilies in it are so natural that the birds flew down the cathedral aisles to pluck at them.
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