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Updated: May 4, 2025


Guynemer's biography is of such a nature that it must seem like a poem: why not, then, conclude it with an envoi? I have no difficulty in finding a Prince, for I shall select him from among the French schoolboys. There is a little Paul Bailly, not quite twelve years old, from Bouclans, a village in Franche-Comté, who wrote a beautiful theme on Guynemer: he shall be my Prince.

Amongst the few other pages of the book which have been left unwritten, we must also reckon with regret some pages descriptive of the reconciliation between Graham Vane and Isaura Cicogna; but, fortunately for the satisfaction of every reader who may have followed thus far the fortunes of Die Parisians, all that our curiosity is chiefly interested to learn has been recorded in the Envoi, which was written before the completion of the novel.

In all kinds of verses it is sung, in expressive duet of lower wood, of the brass, then of high reeds; in solo trumpet with counter-tune of oboe, finally in high flutes. Here we see curiously, as the first themes reappear, a likeness with the original trumpet-call of the symphony. In this guise of the first dance-theme the movements are bound together. The envoi phrase is here evident throughout.

The rhymer's eyes widened as he drew breath to blow forth the envoi of his ballade. "Louis the Little, play the grand; Buffet the foe with sword and lance; 'Tis what would happen, by this hand, If Villon were the King of France!" A roar of enthusiasm came from the full throats of the band. Montigny slapped Villon on the back with a "Well crowed, Chanticleer!"

Villon, in a remarkably bad ballad, written in a breath, heartily thanked and fulsomely belauded the Parliament; the envoi, like the proverbial postscript of a lady's letter, containing the pith of his performance in a request for three days' delay to settle his affairs and bid his friends farewell.

And again in the Envoi: Prince, draw this sovereign draught in your despair, That when your riot in that rest is laid, You shall be merged with an Essential Air: Dear, tenuous stuff, of which the world was made! Out of Nothing then did they proceed to make the world, this sweet world, always excepting Man the Marplot. Man was made in a muddier fashion, as you shall hear.

He makes explicit his standpoint with this envoi, which shows that he was writing for a Greek-speaking public and in competition with Greeks, and this helps to explain why he sets special store on the record of priests and kings and political changes, and why he so often disguises the genuine Jewish outlook.

A phrase of quiet reflection, with which the horn concludes the episode as with an "envoi," is now constantly rung; it is wrought from the eerie tempest; like refined metal the melody is finally poured; out of its guise is the theme now of mournful dance. "Shyly" the tune of the waltz answers in softest oboe.

In 1671, fourteen soldiers and eight laborers were settled near the fort. Talon au Ministre, 2 Nov., 1671. In the next year, Talon recommends an envoi de filles for the benefit of Pentegoet. Memoire sur le Canada, 1672.

Holmes's "Last Leaf." "Just when it was written," the author says in his delightful and characteristic "Envoi" to the reader, "I cannot exactly say, nor in what paper or periodical it was first published. It must have been written before April, 1833," that is, when he was in the early twenties.

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