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At the second journey to Montmorency, in the year 1760, the reading of Eloisa being finished, I had recourse to that of Emilius, to support myself in the good graces of Madam de Luxembourg; but this, whether the subject was less to her taste; or that so much reading at length fatigued her, did not succeed so well.

We took all possible care to break the melancholy Event to Eloisa in the tenderest manner; yet in spite of every precaution, her sufferings on hearing it were too violent for her reason, and she continued for many hours in a high Delirium. She is still extremely ill, and her Physicians are greatly afraid of her going into a Decline.

I cannot, however, tell it so well as you have told it." "No, sir," was his answer, "for you cannot feel it as I do." This is almost in terms the conclusion of Pope's epistle from Eloisa to Abelard: "He best can paint them who shall feel them most." In objurgation and pathetic remonstrancing eloquence, the females of the lower class in Ireland are not inferior to the men.

As to the subject of your letters to me, whether grave or merry, if they concern you they must be equally interesting to me; not but that I think the melancholy Indulgence of your own sorrows by repeating them and dwelling on them to me, will only encourage and increase them, and that it will be more prudent in you to avoid so sad a subject; but yet knowing as I do what a soothing and melancholy Pleasure it must afford you, I cannot prevail on myself to deny you so great an Indulgence, and will only insist on your not expecting me to encourage you in it, by my own letters; on the contrary I intend to fill them with such lively Wit and enlivening Humour as shall even provoke a smile in the sweet but sorrowfull countenance of my Eloisa.

He had heard speak of Eloisa, and would have me put this into his journal; he was also desirous of making the same use of Emilius; he would have asked me for the Social Contract for the same purpose, had he suspected it to be written. At length, fatigued with his importunities, I resolved upon letting him have the Paix Perpetuelle, which I gave him for twelve louis.

He had IMAGINATION, which strongly impresses on the writer's mind, and enables him to convey to the reader the various forms of nature, incidents of life, and energies of passion, as in his "Eloisa," "Windsor Forest," and "Ethic Epistles."

The sharpest wit, the keenest dissection of the follies of fashionable life, the finest grace of diction, and the softest flow of melody, come appropriately to adorn a tale in which we learn how a fine gentleman stole a lock of a lady's hair. In the "Epistle of Eloisa to Abelard," and in the "Elegy on an Unfortunate Lady," he attempted the pathetic not altogether in vain.

Satisfied with having made a rough sketch of my plan, I returned to the situations in detail, which I had marked out; and from the arrangement I gave them resulted the first two parts of the Eloisa, which I finished during the winter with inexpressible pleasure, procuring gilt-paper to receive a fair copy of them, azure and silver powder to dry the writing, and blue narrow ribbon to tack my sheets together; in a word, I thought nothing sufficiently elegant and delicate for my two charming girls, of whom, like another Pygmalion, I became madly enamoured.

If, for instance, Eloisa had been published in a certain country, I am convinced it would not have been read through by a single person, and the work would have been stifled in its birth. I have collected most of the letters written to me on the subject of this publication, and deposited them, tied up together, in the hands of Madam de Nadillac.

He only among our poets could have planned such a picture, who penned the Eloisa, and knew the agonies of a soul struggling against unpermitted passions, and conquering from the noblest motives of faith and of obedience. Glorious exertion of excellence! This is the first time my heart has been made really alive to the powers of this magical art.