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The success of the latter was so great that it not only freed him from military service but gained him the honor of being crowned. The first opera which spread his reputation through Europe was "Anna Bolena," produced at Milan in 1830, and written for Pasta and Rubini. Two years afterwards, "L' Elisir d' Amore" appeared, which he is said to have written in fifteen days.

Her dual nature was hopelessly mixed; Cordova was in a rage with Stromboli, Schreiermeyer, Baci-Roventi, and the whole company, not to mention Signor Bambinelli the conductor, the whole orchestra, and the dead composer of the Elisir d'Amore; but Margaret Donne was ashamed of herself for caring, and for being spoilt, and for bearing poor Lushington a grudge because he had foretold a result that was only to be expected with such a tenor as Stromboli; she despised herself for wickedly wishing that the latter had cracked on the final high note and had made himself ridiculous.

Margaret was learning her part in the Elisir d'Amore, and instead of using her voice she was whistling from the score and playing the accompaniment. The old opera was to be revived during the coming season with her and the great Pompeo Stromboli, and she was obliged to work hard to have it ready.

These, with Gazzaniga, the charming, lively, natural Gazzaniga, whose voice is fresh, and who can sing and act so charmingly in genial music, such as Donizetti's "Elisir d' Amore," with also Assoni, the buffo, and Coletti, the bass, compose the year-old and tried nucleus of the Philadelphia opera, which opened the first Monday in October.

'I heard you studying when they let me in. 'Oh! His voice sounded very indifferent, and a pause followed Margaret's mild ejaculation. 'It's rather a thankless opera for the soprano, I always think, he observed. 'The tenor has it all his own way. 'The Elisir d'Amore? 'Yes. 'I've not rehearsed it yet, said Margaret rather drearily. 'I don't know.

She was satisfied, and for a moment she forgot Pompeo Stromboli, the Elisir d'Amore, the public, and the critics. It was particularly 'nice' of him, too, not to insist upon being told that she had put on the new creation solely for his benefit.

The Elisir d'Amore was received with enthusiasm, but the tenor had it all his own way, as Lushington had foretold, and when Pompeo Stromboli sang 'Una furtiva lacrima' the incomparable Cordova was for once eclipsed in the eyes of a hitherto faithful public. Covent Garden surrendered unconditionally.

Margaret felt suddenly inclined to shut herself up in her room and send word that she had a headache and could not see them. But Schreiermeyer was there. He would telephone for three doctors, and would refuse to leave the house till they signed an assurance that she was perfectly well and able to begin rehearsing the Elisir d'Amore the next morning.

The music of this work perhaps is the best ever written by Donizetti, though it lacks the freshness and sentiment of his "Elisir d'Amore," which is steeped in rustic poetry and tenderness like a rose wet with dew.

For the recollection of the Elisir d'Amore awoke and began to rankle again just then. Logotheti did not press her for an answer, but watched her cautiously while her eyes were turned away from him. At that moment he felt like a tamer who had just succeeded in making a tiger give its paw for the first time, and has not the smallest idea whether the creature will do it again or bite off his head.