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Updated: May 16, 2025


"'Six louis? very dear. "'That's my price for this kind of work, my lord; I am very busy just now, my lord. "'Well, let it be this once. I don't often have a picture framed; to tell the truth, I don't care for pictures. "Dufilleul admires and looks at himself in the vile portrait which he holds outstretched in his right hand, while his left hand feels in his purse.

"Some one has noiselessly opened it, and on the threshold stands Mademoiselle Jeanne in walking-dress, looking, with bright eyes and her most charming smile, at Plumet, who steps back in a fright, and Dufilleul, who has not yet seen her. "'Well, sir, and so I've caught you! "Dufilleul starts, and involuntarily clutches the portrait to his waistcoat. "'Mademoiselle No, really, you have come ?

"Madame Plumet, who must have been listening at the door, came in at that moment, trembling like a leaf, and prepared to dare all. "I beg you won't, Mademoiselle, broke in Dufilleul; 'there is no secret. I only wanted to tease you. The portrait is for a friend of mine who lives at Fontainebleau. "'His name? "'Gonin he's a solicitor. "'It was time you told me. How wretched you both looked.

"'That this portrait is for Monsieur Gonin, or anybody else at Fontainebleau. "Mademoiselle Charnot drew back in surprise. "'For whom, then? "'An actress. "'Take care what you are saying, Madame. "'For Mademoiselle Tigra of the Bouffes. "'Lies! cried Dufilleul. 'Prove it, Madame; prove your story, please! "'Look at the back, answered Madame Plumet, quietly.

One thing I feel sure of is, that Mademoiselle Jeanne Charnot will never change her name to Madame Dufilleul. "Do not, however, exaggerate your own chances. They will be less than you think for some time yet. I do not believe that a young girl who has thus been wounded and deceived can forget all at once.

"'That this portrait is for Monsieur Gonin, or anybody else at Fontainebleau. "Mademoiselle Charnot drew back in surprise. "'For whom, then? "'An actress. "'Take care what you are saying, Madame. "'For Mademoiselle Tigra of the Bouffes. "'Lies! cried Dufilleul. 'Prove it, Madame; prove your story, please! "'Look at the back, answered Madame Plumet, quietly.

One thing I feel sure of is, that Mademoiselle Jeanne Charnot will never change her name to Madame Dufilleul. "Do not, however, exaggerate your own chances. They will be less than you think for some time yet. I do not believe that a young girl who has thus been wounded and deceived can forget all at once.

I had to tell her all, every word, down to my rival's name. When she heard that it was Baron Dufilleul, her indignation knew no bounds. She exclaimed that the Baron was an awful man; that she knew all sorts of things about him! Know him? she should think so!

"I have suspected as much since yesterday; I met her at the Salon, and saw a young man with her." "Fair?" "Yes." "Tall?" "Rather." "Good-looking?" "H'm well" "Dufilleul, old chap, friend Dufilleul. Don't you know Dufilleul?" "No." "Oh, yes you do a bit of a stockjobber, great at ecarte, studied law in our year, and is always to be seen at the Opera with little Tigra of the Bouffes." "Poor girl!"

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