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The third branch was Hiddekel, the Diklatu of the Arabs, the Tigra of the old Persians, and the Tigris of later writers. This is said to run eastward towards Assyria. The fourth river was the Frat or Euphrates.
"I have suspected as much since yesterday; I met her at the Salon, and saw a young man with her." "Fair?" "Yes." "Tall?" "Rather." "Good-looking?" "H'm well" "Dufilleul, old chap, friend Dufilleul. Don't you know Dufilleul?" "No." "Oh, yes you do a bit of a stockjobber, great at ecarte, studied law in our year, and is always to be seen at the Opera with little Tigra of the Bouffes." "Poor girl!"
"I have seen the famous portrait: a miniature of the newly created baron, in fresh butter, I think, done cheap by some poor girl who gains her living by coloring photographs. It is intended for Mademoiselle Tigra of the Bouffes. A delicate attention from Dufilleul, isn't it?
"'That this portrait is for Monsieur Gonin, or anybody else at Fontainebleau. "Mademoiselle Charnot drew back in surprise. "'For whom, then? "'An actress. "'Take care what you are saying, Madame. "'For Mademoiselle Tigra of the Bouffes. "'Lies! cried Dufilleul. 'Prove it, Madame; prove your story, please! "'Look at the back, answered Madame Plumet, quietly.
"'That this portrait is for Monsieur Gonin, or anybody else at Fontainebleau. "Mademoiselle Charnot drew back in surprise. "'For whom, then? "'An actress. "'Take care what you are saying, Madame. "'For Mademoiselle Tigra of the Bouffes. "'Lies! cried Dufilleul. 'Prove it, Madame; prove your story, please! "'Look at the back, answered Madame Plumet, quietly.
"'That this portrait is for Monsieur Gonin, or anybody else at Fontainebleau. "Mademoiselle Charnot drew back in surprise. "'For whom, then? "'An actress. "'Take care what you are saying, Madame. "'For Mademoiselle Tigra of the Bouffes. "'Lies! cried Dufilleul. 'Prove it, Madame; prove your story, please! "'Look at the back, answered Madame Plumet, quietly.
"I have seen the famous portrait: a miniature of the newly created baron, in fresh butter, I think, done cheap by some poor girl who gains her living by coloring photographs. It is intended for Mademoiselle Tigra of the Bouffes. A delicate attention from Dufilleul, isn't it?
"I have suspected as much since yesterday; I met her at the Salon, and saw a young man with her." "Fair?" "Yes." "Tall?" "Rather." "Good-looking?" "H'm well" "Dufilleul, old chap, friend Dufilleul. Don't you know Dufilleul?" "No." "Oh, yes you do a bit of a stockjobber, great at ecarte, studied law in our year, and is always to be seen at the Opera with little Tigra of the Bouffes." "Poor girl!"
"I have suspected as much since yesterday; I met her at the Salon, and saw a young man with her." "Fair?" "Yes." "Tall?" "Rather." "Good-looking?" "H'm well" "Dufilleul, old chap, friend Dufilleul. Don't you know Dufilleul?" "No." "Oh, yes you do a bit of a stockjobber, great at ecarte, studied law in our year, and is always to be seen at the Opera with little Tigra of the Bouffes." "Poor girl!"
"I have seen the famous portrait: a miniature of the newly created baron, in fresh butter, I think, done cheap by some poor girl who gains her living by coloring photographs. It is intended for Mademoiselle Tigra of the Bouffes. A delicate attention from Dufilleul, isn't it?
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