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Updated: May 20, 2025
And even as he spoke there came another sound soft and low and distant that seemed to say, "A la fenesta affaciate nennela de stu core io t'aggio addo che spasemì, ma spasemo d'amore e cchiù non trovo requia, nennella mia, ppe te! "Maurice!" said Lionel, with staring eyes. "What is that? Who is there?" "Don't you know, Linn?" his friend said, tranquilly.
Margaret was learning her part in the Elisir d'Amore, and instead of using her voice she was whistling from the score and playing the accompaniment. The old opera was to be revived during the coming season with her and the great Pompeo Stromboli, and she was obliged to work hard to have it ready.
Here, also, he wrote a "Festzug," an important work in Wagnerian style, and his passionate "Pagina d'Amore," which, with the published portions of his lyric drama, "Vlasda," has been performed by many great orchestras.
For a very small addition to his stipend, Schmucke played the viola d'amore, hautboy, violoncello, and harp, as well as the piano, the castanets for the cachucha, the bells, saxhorn, and the like. If the Germans cannot draw harmony from the mighty instruments of Liberty, yet to play all instruments of music comes to them by nature.
She added to her repertoire this season the rôles of Susanna in Mozart's great comic opera, Elvira in "Puritani," Adina in "L'Elisir d'Amore," and Giulia in Spontini's "Vestale." As Giulia she reached her high-water mark in tragedy, and as Adina in "L'Elisir" she was deliciously arch and fascinating.
For the recollection of the Elisir d'Amore awoke and began to rankle again just then. Logotheti did not press her for an answer, but watched her cautiously while her eyes were turned away from him. At that moment he felt like a tamer who had just succeeded in making a tiger give its paw for the first time, and has not the smallest idea whether the creature will do it again or bite off his head.
His Selve d'Amore, his Corinto, his Ambra, his La Nencia da Barberino, his Laude, his Sonetti, his Cansoni, etc., are all poems that live in the Italian literature of to-day. Not as a man ashamed of the vernacular, and forced to use it because he can command no better, does Lorenzo write.
So saying he caught her ankle in the crook of his staff, and brought her down into the bushes like a running ram. Silvestro was hurt in his feelings; all the rest laughed; his late-won empire seemed slipping. And it was very strange treatment for the Queen of the Collegio d'Amore, if wholesome.
The place chosen for the new Collegio d'Amore was the Villa Venusta, whose shady garden can still be seen from the Riviera Businello. This garden is full of trees, myrtle, wisteria, lilac, acacia flowering trees with a complement of firs and shining laurel to give a setting to so much golden-green and white.
It was first interpreted by Pasta and Rubini, and Lablache won his earliest London triumph in it. "Marino Faliero" was composed for Paris in 1835, and "L'Elisir d'Amore," one of the most graceful and pleasing of Donizetti's works, for Milan in 1832. "Lucia di Lammermoor," based on Walter Scott's novel, was given to the public in 1835, and has remained the most popular of the composer's operas.
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