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Updated: June 13, 2025
In front of the cathedral is the well, and the fine canopy of iron-work, by Quentin Matsys, the blacksmith of Antwerp, some of whose pictures we saw in the Museum, where one sees, also some of the finest pictures of the Dutch school, the "Crucifixion" of Rubens, the "Christ on the Cross" of Vandyke; paintings also by Teniers, Otto Vennius, Albert Cuyp, and others, and Rembrandt's portrait of his wife, a picture whose sweet strength and wealth of color draws one to it with almost a passion of admiration.
Having determined the century of France's artistic period we will ask where we shall place it amongst the artist period of the past. Comparison with Greece, Italy, or Venice is manifestly impossible; the names of Rembrandt, Hals, Ruysdael, Peter de Hoogh, Terburg, and Cuyp give us pause. We remember the names of Ingres, Delacroix, Corot, Millet, and Degas.
This picture is painted throughout with great care and delicacy in what is termed the last manner of the master, remarkable for the prevalent grey or silvery hues of colouring." ALBERT CUYP, born at Dortrecht 1620, died there about 1672. Of the life of this great painter little more is known with any certainty than that he was the scholar of his father, Jacob Gerritsz Cuyp.
Still, Nature irritates one more when she does things of that kind. It seems so stupid, so obvious, so unnecessary. A false Vautrin might be delightful. A doubtful Cuyp is unbearable. However, I don't want to be too hard on Nature.
Van Dyck painted it as an article of dress in due subordination to the face, not as an opportunity for reflecting light and becoming the most important thing in the picture. We have seen how Rembrandt, Peter de Hoogh, Cuyp, Rubens, and Van Dyck were all contemporaries, born within an area of ground smaller far than England.
They had come to the last picture of the Danvers collection, and Ruth was dwelling fondly on a very well-developed cow by Cuyp, as if she could hardly tear herself away from it, when she heard a step coming up the staircase from the hall, and presently Charles pushed open the carved folding-doors which shut off the gallery from the rest of the house, and looked in.
They faithfully depicted their own flat country as they saw it, and added neither hills nor mountains. But they varied the lighting to express their own moods. Ruysdael's sombre tone befits the man who struggled with poverty all his life, and died in a hospital penniless. Cuyp is always sunny. In his pictures, cattle browse at their ease, and shepherds lounge contented on the grass.
Sometimes it is merely fastidious observance of convention and a sensitive escort. It all depends on the world one inhabits; it does indeed. An hour or two later that afternoon Wayward and Constance Palliser, Gussie Vetchen, and Livingston Cuyp gazed with variously mingled sentiments upon the torpid saurians belonging to one Alligator Joe in an enclosure rather remote from the hotel.
During Tuesday morning Electra seemed to have recovered her consciousness, but in the afternoon she relapsed into incoherent muttering of "Cuyp," "Correggio," "Titian's Bella," and "my best great picture left in Florence."
Other landscape painters have generally succeeded best with some particular aspect of nature, and have confined themselves to that. Cuyp excelled in painting the golden haze of sunshine, and Constable in effects of storm and rain. But Turner attempted all. Sunset, sunrise, moonlight, morning, sea, storm, sunshine: the whole pageantry of the sky.
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