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Or he was found tete-a-tete with mamma before the five-o'clock tea, talking, no doubt, 'Raphaels, Correggios, and stuff, as in the Royal Wardour days. Even at Clipston, or in the coves on the beach, he was only too apt to start up from some convenient post for sketching. He really did draw beautifully, and Mysie would have been thankful for his counsels if public opinion had not been so strong.

Of the two fine Correggios, 1117 and 1118, N. wall, The Marriage of St.

Rubens and Velasquez imitated and copied the great Italian masters, particularly Paul Veronese and Titian; the Caracci and their followers multiplied Correggios, Raphaels, and the chief Venetians; Girolamo da Carpi of Ferrara the same; and all with a degree of success that has greatly perplexed later generations: their own works, in turn, as they became popular, experiencing from subsequent artists the same process of multiplication.

They were not in the least like the Correggios and the Guidos, the Lawrences and the Opies, that the men of that time had formed their taste upon, and accepted as their sole artistic standards. To people brought up upon pure David and Thorvaldsen, the Primavera at the Belle Arti must naturally have seemed like a wild freak of madness.

When he left he only took one single small picture with him, as a souvenir." The king gave a friendly nod. "I know it," said he, "and that is the only pleasure I have had for a long time. Once more I will see my Titians and Correggios, my Rubenses and Vandycks, which you bought for me. Now tell me about Charlottenburg. But mind, give me the truth.

And so we come to the two Correggios so accomplished and rich and untouching all delightful virtuosity without feeling. The favourite is, of course, No. 1134, for its adorable Baby, whose natural charm atones for its theatrical Mother. On the other side of the door is No. 1129, the perfect "Madonna del Cardellino" of Raphael, so called from the goldfinch that the little boys are caressing.

His pencil was striking, resistless and grand; His manners were gentle, complying and bland; Still born to improve us in every part, His pencil our faces, his manners our heart. To coxcombs averse, yet most civilly steering When they judged without skill, he was still hard of hearing. When they talked of their Raphaels, Correggios and stuff, He shifted his trumpet and only took snuff.

Carruthers had a friend of his down who was a great judge of pictures, to see them. "Oh, a valuer, I suppose. I hope he is not going to sell the Correggios," she exclaimed. "No, I don't think so," I said, leaving the part about the valuer unanswered. Mr. Carruthers's being unmarried seemed to worry her most; she went on about it again before we got to my bedroom door.

"Have you lived here always?" "No, not always. I lived a long time at Naples, and many years in Rome. But I've been here a good while. Perhaps I shall have to change, however; to do something else. I've no longer myself to think of. My daughter's growing up and may very possibly not care so much for the Correggios and crucifixes as I. I shall have to do what's best for Pansy."

Henry Goldsmith was himself a connoisseur in the arts, his own and his father's fortunes having been built up in the curio and antique business, though to old Aaron Goldsmith appreciation had meant strictly pricing, despite his genius for detecting false Correggios and sham Louis Quatorze cabinets. "Do you suffer from headaches?" inquired Raphael solicitously. "A little.