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Updated: May 28, 2025


To be sure the picture lies less in the separate figures than in the mingled color and bustle. Special in its humor is a soft gliding or creeping phrase of three voices against a constant trip of cellos. If we were forced to guess, we could see here the dandy devil, with pointed mustachios, frisking about. It is probably another guise of the second motive which presently appears in the bass.

Vitus dance At the end of the world I'll " The bassoon and two cellos crashed into a final chord. She paused and poised a moment on her toes with every muscle tense, her young face looking out dully at the audience in what one young girl afterward called "such a curious, puzzled look," and then without bowing rushed from the stage.

Meanwhile, the music of the Mass surged round him, in thunders of the organ, wailings of violins, groaning of 'cellos, and flutings of boys' and men's voices, and as the cloudy incense rose upon the air he began to weave strange fancies in his mind, and to see in the beams of sunlight falling through the stained glass windows a vision of the bright face of Sylvie looking down upon him with a half-tender, half-reproving smile, a smile that seemed to say, "If thou lovest me, set the grace of honour on thy love!"

it ends with a gracefully delicate answer. The main melody soon recurs and sings with a stress of warm feeling in the cellos, echoed by glowing strains of the horns. Romantic harmonies bring back the solemn air of the prelude with a new counter melody, in precise opposite figure, as though inverted in a mirror, and again the dim moving chords that seem less of Bruckner than of legendary drama.

The drums of our orchestra were the echoes of thundering wars; the flutes and soft recorders were the eloquence of an Empire's statesmen; and our 'cellos and violins wailed with the pity of all mankind. In that vast orchestra I played the horn that sounds the charge, or with its sharp réveillé vexes the ear of night before the sun is up. Here is your penny, my brother in affliction.

When two songs had been sung, with much growling of the bass and a general misconception of the functions of a tenor, with great scraping of violin strings and much want of harmony amongst the 'cellos, the General called the butler and told him to open the door.

"What did I say?" he asked. "You seemed to think that some one was playing the 'cello; or rather, you fancied there was a 'cello in the room, and it seemed to be endowed with life. You said, 'I didn't know that 'cellos had hands! and then you asked if it spoke Spanish. I couldn't help laughing a little at that, and you were quite short with me, and told me I that didn't know phlox from flaxseed.

The slow introduction in C minor begins with a long, deep sigh, followed by a downward passage in the violas and 'cellos that seems to indicate the steps that bring Dante and Vergil down to the edge of the precipice past which the cyclone of the damned rolls eternally.

What had absolutely overwhelmed him, he said, was precisely my conception and interpretation of the Fugato. Furthermore, I devoted special attention to that extraordinary passage, resembling a recitative for the 'cellos and basses, which comes at the beginning of the last movement, and which had once caused my old friend Pohlenz such great humiliation in Leipzig.

The strings announce it, and the wood replies. The flutes and clarinets toss it in a blanket furnished by an interesting passage in the 'cellos and contrabasses. There is a choral moment from the English horn, the bassoons, and a clarinet. This solemn thought keeps recurring parenthetically through the general gaiety. The first subject clatters in, the second is even more jubilant.

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