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Updated: May 28, 2025
Or, abruptly, the softness of oboes and cellos, the flagrancy of musk, the gleam of purple light on torsoes moist from exertion, a presentment of love as understood by ancient Eastern despots a perverse and gorgeous ideal resuscitated to challenge modern thought.
And now to strange, solemn music, the sobbing of the 'cellos, the tenderer melancholy of the flute the long procession was moving up the Canal Grande the ducal barge and the gondola of the Patriarch not keeping decorous line, for the roughness of the waters.
He shocked them with a demand for Sunday concerts then a heresy in Philadelphia. He changed the seating arrangement of the orchestra. He discarded the wooden amphitheatre on which, since the dark symphonic ages, the players had sat in tiers, and put them on chairs directly on the stage. Then he shuffled the men, making the cellos change places with the second violins, the battery with the basses.
The piece now going on was one of those romantic, wholly lyric poems in which the actors are everything. The environment about them, the sense of objectivity, played no rôle. The 'cellos, sighing with lassitude and pity, lamented in gentle accord; the violins cut through the harmony with sharp cries of rebellion and gay arpeggios.
The soul of the Legion was speaking in its tragic-sweet voice, and the Place Carnot was full of soldiers sauntering singly or in pairs, mostly silent, as if to hear their own heart-secrets cried aloud by telltale 'cellos and flutes and violins. The townsfolk were there, too; and when the band played some selection especially to their liking they buzzed approval.
The foyer was like an ant-hill in commotion; people running forwards and backwards, trying vainly to bribe an entrance, until the noise was like hornets buzzing; while from behind came the sound of the orchestra tuning, faint raspings of the cellos, and the wails of the wood-winds, and above them the cry of a trumpet muffled.
She chose Tristan instead, and began reading the second act at the place where Isolde, ignoring Brangäne's advice, signals to Tristan with the handkerchief. She glanced down the lines, hearing the motive on the 'cellos, then, in precipitated rhythm, taken up by the violins.
We have no amateur conductor riding ahead: violins, 'cellos, piano, wind-stops: Peridon, Catkin, Pempton, Yatt, Cormyn, Colney, Mrs. Cormyn, Dudley Sowerby: they are spirited on, patted, subdued, muted, raised, rushed anew, away, held in hand, in both hands. Not earnestness worn as a cloak, but issuing, we see; not simply a leader of musicians, a leader of men.
What should we say if he cut the best parts of the 'cellos, in order that they might not add a mellowness which would slightly veil the acuteness of his own notes? What should we say if he rearranged the composer's score for the convenience of his own orchestra?
The moist air of the towns on the coast made the wood swell; the dry air of Central India, on the other hand, made it shrink, which was very injurious to pianos, but especially to violins and cellos. Pianos, with metal instead of wood inside, were made for the tropics; but they had a shrill tone and were equally affected by abrupt changes of temperature.
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