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Updated: June 2, 2025
They hated the children with a strictly personal hatred based on panic combined with shame. Soames' rehearsed part in the broadcast was finished after he and Gail and Captain Moggs had told the story of the finding of the ship. Their narratives were deftly guided by Linda Beach's questions. Soames wanted to get out of sight. He was sunk in gloom.
He boasted that he'd snatched the beads off Linda Beach's neck, and got a fancy belt one of those funny-dressed kids was wearing. Half a block. Two more of the Toppers joined the bragging snatcher. They also heard of his grand achievement. The Topper drew his loot partly from his pocket to prove his boast. They looked, and swaggered, and whooped to others of their fellowship.
Leonard passed through it and presently found himself at the door of a square red brick house, built with no other pretensions than to those of comfort. This was the Rectory, now tenanted by the Reverend and Honourable James Beach, to whom the living had been presented many years before by Leonard's father, Mr. Beach's old college friend.
This particular figure is one of three figures on the grounds that stand for virtually the same subject, Rodin's "Thinker," in the courtyard of the French Building, and Chester Beach's "Thinker," in the niches to the west and east of the tower in the Court of the Ages. They are all different in character. Stackpole's gives the feeling of gentle contemplation.
If you'll step into Beach's tomorrow and order them I'll be grateful." "Of course I will. Should should you like me to read to you? I'm a pretty bad reader, I guess, but I'll do my best." "Oh is there an earthquake?" "No! But your nerves are in a bad state. I'll get you a glass of port wine." He went heavily over to the cupboard, but his hand was shaking as he poured out the wine.
When Linda Beach's necklace was snatched from her neck it seemed intended to be funny. It wasn't until the very end that anything occurred really to break the mood professionally produced shows are designed to achieve. That occurrence startled the viewers out of their semi-comatose state, just as blatant obscenity or intolerable profanity would have done.
"Telephone over to the University Club," he said suddenly to Miss Beach, "and see if you can get me a seat for The Girl Up-stairs." The office boy was out on an errand and in his absence the switchboard was Miss Beach's care. "The The Girl Up-stairs?" she repeated. "That's what he said, isn't it?" "Yes," she assented. "That's the name of it."
Beach's little pamphlet sheds the utmost light upon the economic era preceding the Civil War. It really pictures an industrial organization that belongs as much to ancient history as the empire of the Caesars. His study lists about one thousand of New York's "wealthy citizens."
And certainly the spectacle about them was one to provide amusement in the extreme for even the most mildly satiric mind. It was the beach's most crowded hour and the short strip of sand in front of the most fashionable and uncomfortable place to bathe on Long Island was gay as a patch of exhibition sweet-peas with every shade of vivid or delicate color.
Beginning with the lower animal forms, such as crabs and crayfish, etc., the entire evolution of Nature has been symbolized, reaching its climax in the tower, where the scheme is continued in several groups in Chester Beach's best style. The lowest of these groups shows the Primitive Age, followed above by the Middle Ages and Modernity.
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