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Taking the dust of the feet is a formal offering of reverence and is done by lightly touching the feet of the revered one and then one's own head with the same hand. The wife does not ordinarily do this to the husband. It would not be reckoned good form for the husband to be continually going into the zenana, except at particular hours for meals or rest. Bara = Senior; Chota = Junior.

Even the Master himself, tempered in the fires of war's Hell, sensed this tremendous potentiality of death as the tiny handful of white men galloped on and on behind Bara Miyan. Here the Legion was, hemmed and pent by countless hordes of fanatics whom any chance word or look, construed as a religious insult, might lash to fury. Five men remained outside.

I held it up aloft as I said: "I charge you to convey these my jewels to the object of my worship to whom I have dedicated them through you." My husband remained silent. Sandip left the room. Quotation from the National song Bande Mataram. I had just sat down to make some cakes for Amulya when the Bara Rani came upon the scene.

They believed that by photographing people the artist could carry off their souls and devour them at his leisure moments. They said that, when the pictures reached his country, they would die or some other evil would befall them. When Dr. Catat and some companions were exploring the Bara country on the west coast of Madagascar, the people suddenly became hostile.

The day following the withdrawal of the rear guard, it rained in the Bara Valley, which meant snow in the Maidan. The pickets on the heights had a bad time of it that night, as some of them were constantly attacked; and it was not till three in the morning that the baggage came in, the rear guard arriving in camp about ten.

Through counter currents of the heavy stench of meat eaters he traced the trail of Bara; the sweet and cloying stink of Horta, the boar, could not drown his quarry's scent the permeating, mellow musk of the deer's foot. Presently the body scent of the deer told Tarzan that his prey was close at hand.

There was but a single alternative to remaining for annihilation and that was flight swift and immediate. And Tarzan fled, but he carried the carcass of Bara, the deer, with him. He had not more than a dozen paces start, but on the other hand the nearest tree was almost as close.

Why was Tarzan different from Taug, and Taug different from Bara, the deer, and Bara different from Sheeta, the panther, and why was not Sheeta like Buto, the rhinoceros? Where and how, anyway, did they all come from the trees, the flowers, the insects, the countless creatures of the jungle? Quite unexpectedly an idea popped into Tarzan's head.

A tight-rope dancer, a snake charmer, an itinerant showman with a performing goat, monkey, or dancing bear, may make his appearance before the admiring crowd. At times a party of mimes or actors come round, and a rare treat is not seldom afforded by the bara roopees. Bara means twelve, and roop is an impersonation, a character. These 'twelve characters' make up in all sorts of disguises.

Here was the appearance and the scent of a man-thing and Numa had tasted of human flesh and learned that though not the most palatable it was certainly by far the easiest to secure, yet there was that in the bestial growls of the strange creature which reminded him of formidable antagonists and gave him pause, while his hunger and the odor of the hot flesh of Bara goaded him almost to madness.