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Updated: June 27, 2025
A very cursory glance at the exterior of the building as one walks round it is sufficient to show that the church as it stands offers to the student of architecture examples of every style that has prevailed in this country from the twelfth century onward, and he will especially rejoice at seeing so much fourteenth-century work.
Some Elizabethan house with its scrap of earlier fourteenth-century building, and its later degradations of Queen Anne and Silly Billy and Victoria, marring but not destroying it, in an old village once a clearing amid the sandy woodlands of Sussex.
Here also stood the ancient conduit which supplied the city with water, but this was removed to South Street in 1779. At the corner, looking down Fore Street, was a fine fourteenth-century life-size figure of St. Peter, holding a model of a church in his right hand and a book in his left, his feet trampling on a demon.
But I recollect that in this sacristy are treasures of wood and iron the most beautiful intarsia wainscotting I ever saw, by Giovanni di Michele, with a frieze of wolves and foliage, and fourteenth-century iron gates to the little chapel, pure Gothic in design, with a little rose window at the top, delicate beyond words: all which things once again turn the thoughts to this wonderful Italy of the fourteenth and fifteenth century, when not even the best was good enough for those who built churches, but something miraculous was demanded from every craftsman.
You have some idea now of the train of thought which this fourteenth-century painter endeavoured to express in his picture commemorative of the coronation of a King. A medieval coronation was a very solemn ceremony indeed, and the picture had to be a serious expression of the great traditions of the throne of England, suggested by the figures of St. Edward and St.
Embarking on the steamer for Marseilles, we kept on thence to Avignon, where we spent about a week. This venerable town had few attractions for me; I did not much care for the fourteenth-century popes, nor for the eighteenth-century silks, nor even for Petrarch and Laura; and the architecture of the palace, after I had tried to sketch it, ceased to exhilarate me.
There are eight chalices, all of the fourteenth or fifteenth century, damaged by an inexpert goldsmith who had them to repair, with nielli or enamel grounds to the medallions, and good foliage in relief; two arms of S. Doimus, richly set with gems and precious stones among filigree; a good late fourteenth-century head of S. Giovanni Elemosinario; a morse of the same period, with gems and nielli; a fifteenth-century pax of gilded brass; and several interesting and very early crosses, probably of the eighth or ninth century, some even earlier.
"No, thank you!" said Miss Carr, who was a practical person, and not given to romance. "I've not the slightest desire to see spooks. I'm quite content with modern life, and don't want fourteenth-century ghosts gliding about the place. Get on with your work, Diana! I'm more concerned with apple-trees than with the old monks." When Diana got an idea into her head, however, it was apt to stick.
The capitals which are rather tall are carved with rather shallow leaves, but the most noticeable features are the huge square moulded abaci which are so large as to be more like those of the romanesque cloisters at Moissac or of Sta. Maria del Sar at Santiago than any fourteenth-century work.
The external mouldings of these can be well seen from the aisles: towards the nave they are splayed and plain. The wall above the fourteenth-century arches does not contain any windows on the same level as those of the old Norman clerestory; but above them, stretching all along each side of the nave, may be seen the windows of the present clerestory.
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