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This deadly broil falling out in the midst of Verona at noonday, the news of it quickly brought a crowd of citizens to the spot and among them the Lords Capulet and Montague, with their wives; and soon after arrived the prince himself, who, being related to Mercutio, whom Tybalt had slain, and having had the peace of his government often disturbed by these brawls of Montagues and Capulets, came determined to put the law in strictest force against those who should be found to be offenders.

She had many misgivings lest the friar, to avoid the blame which might be imputed to him for marrying her to Romeo, had given her poison; but then he was always known for a holy man: then lest she should awake before the time that Romeo was to come for her; whether the terror of the place, a vault full of dead Capulets' bones, and where Tybalt, all bloody, lay festering in his shroud, would not be enough to drive her distracted: again she thought of all the stories she had heard of spirits haunting the places where their bodies were bestowed.

The noble form of man, he said, was but a shape of wax when it wanted the courage which should keep it firm. The law had been lenient to him that instead of death, which he had incurred, had pronounced by the prince's mouth only banishment. He had slain Tybalt, but Tybalt would have slain him-there was a sort of happiness in that.

"I see, friend, you have read Shakspeare to some purpose," cried the doctor; "but know that I spoke not in the sense in which Mercutio speaks of the wound that Tybalt gave him. My mirth is not so grave as poor Mercutio's. Look you, now, I told you but the simple truth, and what your own eyes have seen. The wound is not so deep as a well, nor so wide as a church door.

When Romeo saw that this friend was dead, he forgot everything except anger at the man who had killed him, and he and Tybalt fought till Tybalt fell dead. So, on the very day of his wedding, Romeo killed his dear Juliet's cousin, and was sentenced to be banished.

There were Mercutio, and Tybalt, and Paris, and Juliet, and Romeo, come to a bloody end in the bloom of their youth and strength and beauty. The ghosts of these five murdered persons seemed to be on my track as I hurried down Revere Street to West Cedar.

I once saw an unskilful fencer, acting the part of Romeo, really wound Tybalt: the effect was lifelike, beyond question, but it was shocking. From this doctrine of aesthetic semblance or "appearance" many thinkers have drawn the conclusion that the pleasures afforded by art must in their very nature be disinterested and sharable.

After a little he said huskily: "She was a good woman he believed her that, and so shall I." "You think he could not have been so great unless, eh? And that 'Charles Rex, what of him?" "What good can it do to call him bad now?" Without a word, Pierre drew from a leather wallet a letter, and, by the light of the fast-setting sun, Tybalt read it, then read it again, and yet again.

Who said so! Charles Rex like that! was the man who wrote the letters." "To the Great Slave?" Pierre made a gesture of impatience. "Very sure." "Where are those letters now?" "With the Governor of the Company." Tybalt cut the tobacco for his pipe savagely. "You'd have liked one of those papers?" asked Pierre provokingly. "I'd give five hundred dollars for one," broke out Tybalt.

But in the end love got the mastery, and the tears which she shed for grief that Romeo had slain her cousin turned to drops of joy that her husband lived whom Tybalt would have slain. Then came fresh tears, and they were altogether of grief for Romeo's banishment. That word was more terrible to her than the death of many Tybalts.