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Updated: June 12, 2025


Written some four or five years after Noli Me Tangere, the book represents Rizal's more mature judgment on political and social conditions in the islands, and in its graver and less hopeful tone reflects the disappointments and discouragements which he had encountered in his efforts to lead the way to reform.

One reference quotes the title of Rizal's first poem in saying that it was giving a word of advice "To the Philippine Youth," and there are other indications that for some considerable time the outcome of this contest was a very live topic in the city of Manila. Rizal's poem was an allegory, "The Council of the Gods" "El consejo de los Dioses."

Rizal's attorney demurred to such a charge being made without the man who had lent the money being at all consulted, and held that a power of attorney did not warrant such an action.

Rizal's party, consisting of the Secretary of one of the lodges of Manila, and another Mason, a prominent school-teacher, were under constant surveillance and a minute record of their every act is preserved in the "reserved" files, now, of course, so only in name, as they are no longer secret.

His artistic ability was great, and some of his productions are now treasured by friends into whose possession they came. Rizal's best known work is his "Noli Me Tangere," written in Belgium about 1886 or 1887.

His name had been used to gather the members together and his portrait hung in each Katipunan lodge hall, but all this was without Rizal's consent or even his knowledge. The members, who had been paying faithfully for four years, felt that it was time that something besides collecting money was done.

But the tenants lost on the appeal, and, as they thought it was because they were weak and their opponents powerful, a grievance grew up which was still remembered in Rizal's day and was well known and understood by him. Another cause of discontent, which was a liberalizing influence, was making itself felt in the Philippines about the time of Domingo's death.

The following are part of a series of nineteen verses published in La Solidaridad over Rizal's favorite pen name of Laong Laan: To my Muse Invoked no longer is the Muse, The lyre is out of date; The poets it no longer use, And youth its inspiration now imbues With other form and state.

Yet the government could have been satisfied of Rizal's innocence of any treasonable designs against Spain's sovereignty in the Islands had it known how the exile had declined an opportunity to head the movement which had been initiated on the eve of his deportation.

They were investigating the sales of Rizal's books and trying to find out what had become of the money received from them, for while the author's desire had been to place them at so low a price as to be within the reach of even the poor, it was reported that the sales had been few and at high prices, so that copies were only read by the wealthy whose desire to obtain the rare and much-discussed novels led them to pay exorbitant figures for them.

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