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She sat with her gray mantle shrouding her face, and neither of them spoke, while the gondola, under Piero's deft guidance, quickly gained the steps of the Piazzetta and passed on to San Giorgio. Then she touched his arm entreatingly. "Oh, let us wait one moment before we lose sight of the palazzo! Madre Beatissima, have them in thy keeping!"
Sforza found out how this change had come about, and learned that it was Piero's influence that had overmastered his own. He could not disentangle the real motives that had promised the change, and imagined there was some secret league against himself: he attributed the changed political programme to the death of Lorenzo dei Medici.
Piero himself in scarlet kneels in the middle; Giuliano, his second son, doomed to an early death by assassination, is kneeling on his right. The dead Cosimo is at the Child's feet; the dead Giovanni, Piero's brother, stands close to the kneeling Giuliano. Among the other persons represented are collateral Medici and certain of their friends.
Marina had loved the baby the more passionately, perhaps, for the sake of her only sister Toinetta, Piero's child-bride, who had died at the baby's birth, because she was painfully conscious that Toinetta's little flippant life had needed much forgiveness and had been crowned with little gladness.
Weeks after Fra Francesco had disappeared from the convent a letter was brought by the gastaldo of Nicolotti, Piero Salin, who, in spite of opposition among the brothers, persisted in delivering it with his own hand, though it was rare that any one outside his usual circle was permitted to hold an interview with Fra Paolo; but Piero's masterful ways had not left him, and when he willed to do a thing the wills of others counted little.
Therefore the conspirators decided to take, if possible, Piero's life. The plot failed, chiefly owing to the coolness and the cunning of the young Lorenzo, Piero's eldest son. Public sympathy was strongly excited against the aggressors. Neroni, Acciaiuoli, and Soderini were exiled. Pitti was allowed to stay, dishonoured, powerless, and penniless, in Florence.
These pictures are the principal work of Botticelli's first period, which coincides with the five years of Piero's rule and the period of mourning for him.
Piero's party continuing to gather strength, his enemies' indignation increased in proportion; and they now determined to effect by force what they either could not accomplish, or were unwilling to attempt by the medium of the magistrates, which was assassination of Piero, who lay sick at Careggi, and to this end order the marquis of Ferrara nearer to the city with his forces, that after Piero's death he might lead them into the piazza, and thus compel the Signory to form a government according to their own wishes; for though all might not be friendly, they trusted they would be able to induce those to submit by fear who might be opposed to them from principle.
His biography forms one of the most amusing chapters in Vasari, who has taken great delight in noting Piero's quaint humours and eccentric habits, and whose description of a Carnival triumph devised by him is one of our most precious documents in illustration of Renaissance pageantry.
Tito, who had stood transfixed, with his long dark eyes resting on the unknown man who had addressed him so equivocally, seemed recalled to his self-command by Piero's change of position, and apparently satisfied with his explanation, was again giving his attention to Cennini, who presently said "This is a curious and valuable ring, young man.
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