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Meanwhile Arnold, his son, is enamoured of Mathilde, Gessler's daughter, and hesitates between love and duty when he is called upon to avenge his father's death. At last duty prevails, and he joins his comrades when the men of the three cantons, who are loyal to Tell, meet and swear death to the tyrant. In the last act occurs the famous archery scene.

The death of Gessler was the signal for a general uprising. The oath-bound men of Rutli saw that this was their great opportunity. They called to their countrymen to follow them to freedom or death. Gessler's crowning act of tyranny his inhuman punishment of Tell had roused the spirit of rebellion in the hearts of even the meekest and most submissive of the peasants.

"See," said Tell, as he watched them, "in years to come, when these same children are gray-haired, they will remember this night as freshly as they will remember it to-morrow." A number of people rushed up, bearing the pole which Gessler's soldiers had set up in the meadow. The hat was still on top of it, nailed to the wood by Tell's arrow.

By Gessler's order his bonds were then removed, and he stepped aft and took the helm, guiding the boat through the storm with the skill of a trained mariner. He had, however, another object in view, and had no intention to let the tyrannical governor bind his free limbs again.

Scarce had we driven the foe Forth from the keep, and given it to the flames, That now rose crackling upwards to the skies, When from the blaze rushed Diethelm, Gessler's page, Exclaiming, "Lady Bertha will be burnt!" FURST. Good heavens! MELCHTHAL. 'Twas she herself. Here had she been Immured in secret by the viceroy's orders. Rudenz sprang up in frenzy.

For himself, perhaps, he might take the chances of a fugitive in the mountains, but he cannot leave his wife and children exposed to Gessler's vengeful malice. There is no law to which he can appeal, the only law of the land being Gessler's will. In such a situation, clearly, there is no place for refined and chivalrous compunctions, or for ethical hair-splitting. Tell does what he must do.

BERTHA. Think you to find me in the traitor's ranks? Now, as I live, I'd rather give my hand To Gessler's self, all despot though he be, Than to the Switzer who forgets his birth, And stoops to be the minion of a tyrant. RUDENZ. Oh heaven, what must I hear! BERTHA. Say! what can lie Nearer the good man's heart than friends and kindred?

Then Stauffacher, seeing how weary he was, gave him food and made him rest. That night Tell slept well. All next day he remained hidden in Stauffacher's house. "You must not go," said his friend, "Gessler's soldiers will be searching for you." But when evening came Tell crept out into the dark again, and kind friends rowed him across the lake back to Flüelen.

Wrapped in his mantle, Gessler sat silent and still, watching the storm. He, too, knew the danger. As the waves dashed over him, one of Gessler's servants staggered to his master's feet. "My lord," he said, "you see our need and danger, yet methinks there is one man on board who could save us." "Who is that?" asked Gessler. "William Tell, your prisoner," replied the man.

We always fancy it set upon a pole, like Gessler's hat, with nothing in it that was not wooden, for all men to bow down before. The periwig style had its natural place in the age of Louis XIV., and there were certainly brains under it. But it had run out in France, as the tie-wig style of Pope had in England. In Germany it was the mere imitation of an imitation.