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He thought it had been there ever since he had fainted, and dropped again in a deeper swoon than before. Karl saw him fall, and the truth flashed upon him that the wicked artist took him for what he had believed himself to be when first he recovered from his trance namely, the vampire of the former Karl Wolkenlicht. The moment he comprehended it, he resolved to keep up the delusion if possible.

He had been busy with a fresh embodiment of his favourite subject, into which he had sketched the form of the student as the sufferer. He had represented poor Wolkenlicht as just beginning to recover from a trance, while a group of surgeons, unaware of the signs of returning life, were absorbed in a minute dissection of one of the limbs.

The following night, Wolkenlicht, lying awake, heard unaccountable noises in the next house, as of things thrown about, of kicking and fighting horses, and of opening and shutting gates. Flinging wide his lattice and looking out, the noise of howling dogs came to him from every quarter of the town. The moon was bright and the air was still.

The following night, Wolkenlicht, lying awake, heard unaccountable noises in the next house, as of things thrown about, of kicking and fighting horses, and of opening and shutting gates. Flinging wide his lattice and looking out, the noise of howling dogs came to him from every quarter of the town. The moon was bright and the air was still.

During the dinner, Lilith's gaze scarcely met that of Wolkenlicht; and once or twice, when their eyes did meet, her glance was so perfectly unconcerned, that Karl wished he might look at her for ever without the fear of her looking at him again.

But her father, glancing at her now, as Wolkenlicht had used to do, could not help seeing that she was frightfully pale. She showed no other sign of uneasiness. As soon as he released her, she withdrew, with one more glance, as she passed, at the couch and the figure blocked out in black upon it.

But Lilith had vanished. He returned to his labours. The operation took a long time, for he performed it very carefully. Towards midnight, he had finished encasing the body in a close-clinging shell of plaster, which, when broken off, and fitted together, would be the matrix to the form of the dead Wolkenlicht.

Teufelsbuerst, without philosophizing about it, called his preparation simply a love-philtre, a concoction well known by name, but the composition of which was the secret of only a few. Wolkenlicht had, of course, not the least suspicion of the treatment to which he was subjected. "Teufelsbuerst was, however, doomed to fresh disappointment.

Several weeks elapsed without any change, and both Lilith and Karl were getting dreadfully anxious about him. Karl paid him every attention; and the old man, for he now looked much older than before, submitted to receive his services as well as those of Lilith. At length, one morning, he said in a slow thoughtful tone: "'Karl Wolkenlicht, I should like to paint you.

For, whether it was that the impatience of Teufelsbuerst had urged him to yet more dangerous experiments, or that the continuance of those he had been so long employing had overcome at length the vitality of Wolkenlicht one afternoon, as he was sitting at his work, he suddenly dropped from his chair, and his master hurrying to him in some alarm, found him rigid and apparently lifeless.