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With Strindberg he has been called "Shakespearian" fatal word but he is not; that in the vast domain of Shakespeare there is room for them both I do not doubt; room in the vicinity of the morbid swamps and dark forests, or hard by the house of them that are melancholy mad. The oftener I see or read Wedekind the more I admire his fund of humour. But I feel the tug of his theories.

The curse of modern life is the multiplication of books. Very true, and yet I find that Wedekind is "literary," that he could exclaim with Stephan Mallarmé: "La chair est triste, hélas! et j'ai lu tous les livres." Regarding the modern stage he is also positive.

The address was written in a small strong hand unknown to her, and the note, which had no beginning, ran: I send the first volume of Gibbon as I promised. Personally I find little to be said for the moderns, but I'm going to send you Wedekind when I've done him. Donne? Have you read Webster and all that set? I envy you reading them for the first time. Completely exhausted after last night.

And another German brother, Von Wedekind, asserts that "we only labor in our temple when we make man our predominating object, when we unite goodness of heart with polished manners, truth with beauty, virtue with grace."

To be sure, whatever the government is, he is against it; which only means he is a rebel born, hating constraint and believing with Stendhal that one's first enemies are one's own parents. No doubt, after bitter experience, Wedekind discovered that his bitterest foe was himself. That he is a tricky, Puck-like nature is evident.

Personally, Wedekind was never an extravagant, exaggerated man.

But as an actor Wedekind is not distinguished, though versatile. As Jack the Ripper in The Box of Pandora I am glad to say that I have not viewed him, though he is said to be a gruesome figure during the few minutes that he is in the scene. His mimetic methods recalled to me the simplicity of Antoine who is not a great actor, yet, somehow or other, an impressive one.

It was doubtless a pity not to keep up with Wedekind or John, but some closing of the gates is inevitable after thirty, if the mind itself is to become a creative power. She was looking at plans one day in the following spring they had finally decided to go down into Sussex and build when Mrs. Charles Wilcox was announced. "Have you heard the news?" Dolly cried, as soon as she entered the room.

The psychologists of the modern French stage, I take it, are M. de Curel and M. de Porto-Riche. MM. Brieux and Hervieu are, like Mr. Shaw, too much concerned with ideas to probe very deep into character. In Germany, Hauptmann, and, so far as I understand him, Wedekind, are psychologists, Sudermann, a vigorous character-drawer.

Ministers were kept busy in explaining the differences, but it is to be feared that some of the laymen did not always understand. In 1868 members of St. James Church, who sympathized with the attitude of the General Council in favor of a stricter confessional basis, organized a new English congregation, Holy Trinity, of which Dr. Krotel became the first pastor. Dr. Wedekind was called to St.