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But it stimulated her to labour incessantly at her drawing; silently to try and gain information from Miss Meliora; to haunt the painter's studio, until she had become familiar with many of its mysteries. She had crept into Vanbrugh's good graces, and he made her useful in a thousand ways.

"We will try and make my old hall, and its gloomy shades, remind us of these fairer scenes, my Florence." "Ah! describe to me the character of your place. We shall live there principally, shall we not? I am sure I shall like it much better than Marsden Court, which is the name of that huge pile of arches and columns in Vanbrugh's heaviest taste, which will soon be yours."

Vanbrugh's; while, scattered here and there, were original pencil designs, ludicrously voluminous, illustrating nearly every poet, living or dead. Michael Vanbrugh's sister was not likely to be quite ignorant of Art. Indeed, she had quietly gathered up a tolerable critical knowledge of it. She went through the portfolio, making remarks here and there.

Foppington in Vanbrugh's "Relapse," Tattle in Congreve's "Love for Love," Backbite in Sheridan's "School for Scandal," Acres in "The Rivals" by the same author, and Fribble in Garrick's "Miss in her Teens." If few can remember. See note above. His friend Mathews. Jack Bannister. John Bannister retired from the stage in 1815. He died in 1836. Children in the Wood.

Port came into fashion port sapped our brains and, instead of Wycherly's Country Wife, and Vanbrugh's Relapse, we had Mr Morton's Wild Oats, and Mr Cherry's Soldier's Daughter. It is really much to the credit of Scotland, that she stood stanchly by her old ally, France, and would have nothing to do with that dirty little slice of the worst part of Spain Portugal, or her brandified potations.

Vanbrugh's dinner, and all things else, in making a few charitable arrangements, which resulted in a comfortable tea for little Christal and "ma mie." Sleep had again overpowered the sick woman, who appeared to be slowly dying of that anomalous disease called decline, in which the mind is the chief agent of the body's decay.

In what capacity it would be hard to say certainly not as Miss Vanbrugh's protégée for she assumed toward the little old maid a most benignant air of superiority. Mr. Vanbrugh she privately christened "the old Ogre," and kept as much out of his way as possible. This was not difficult, for the artist was too much wrapped up in himself to meddle with any domestic affairs.

What if her long-loved girlish dreams should be quenched at once if Mr. Vanbrugh's stern dictum should be that she had no talent, and never could become an artist at all! "Well, then, don't be frightened, my dear girl. Let me see your sketches. I do know a little about such things, though Michael thinks I don't," said Miss Meliora.

The little old maid was quite overpowered with her stylish bend; her salute, French fashion, cheek to cheek; and her anxious inquiries after Miss Vanbrugh's health. "I am quite well, thank you, madam. A friend of Mrs. Rothesay's I suppose?" was poor Meliora's bewildered reply. "No, indeed; I have not till now had the pleasure of hearing Mrs. Rothesay's name.

It is even to-day a long way from the metropolis, and one feels something like surprise that such a lover of the town as Selwyn could, even to the end of his life, undertake the tiresome journey to Yorkshire. But in the stately galleries of Vanbrugh's design he renewed his associations with France. There he was not bored by country society; in the home circle he had all the company he needed.