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Updated: June 24, 2025


The force of gravitation is a mutual thing; and just as the great sun himself cannot but bend a little in turn to the smallest orb that wheels around him, so the august Princess of Este could not but have regarded with womanly interest a devoted admirer, however humble. The poetical gallantry of the day will account for all Tasso's lyrical effusions in praise of Leonora.

There was no originality in him, for there was no experience; it was exquisite mechanism, his verse, nothing more. It might well deceive him, for it could not but flatter his ear and Tasso's silver march rang not more musically than did the chiming stanzas of Castruccio Cesarini. The perusal of this poetry, and his conversation with the poet, threw Maltravers into a fit of deep musing.

To the same or the following year belong the twelve eclogues by Edward Fairfax, the translater of Tasso's Gerusalemme, which are now for the most part lost. One, the fourth, was printed in 1737 from the original manuscript, another in 1883 from a later transcript in the Bodleian, while a third is preserved in a fragmentary state in the British Museum.

I confess, after a reasonable amount of inquiry into this subject, that I can find no proofs whatsoever of Tasso's having made love to Leonora; though I think it highly probable. I believe the main cause of the duke's proceedings was the poet's own violence of behaviour and incontinence of speech.

It is of course impossible to say exactly to what extent the fame of the Italian pastoral drama may have penetrated to England the Aminta was first printed the year of the production of Peele's play, and waited a decade before the first English translation and the first English edition appeared but no influence of Tasso's masterpiece can be detected in the Arraignment; still less is it possible to trace any acquaintance with Poliziano's work.

"The misfortune is," he observed, "that I am garbed like a philosopher. How show myself in such a costume among elegant females? 'Tis a sad pity! for it would be an easy matter for me to pay my respects to an actress at an important theatre. I have translated the Gerusalemme Liberata, that masterpiece of Torquato Tasso's.

I entered it, and found my passport waiting me; and the tiara and the keys, emblazoned on its pages, told me that I was free of the Papal States. Lovely in its Ruins Number and Wealth of its Churches Tasso's Prison Renée's Palace Calvin's Chamber Influence of Woman on the Reformation Renée and her Band Re-union above Utter Decay of its Trade, its Manufactures, its Knowledge.

Thanks to his pastorals, I could long afterwards enjoy with the double sense requisite for full pleasure in them, such divinely excellent artificialities at Tasso's "Aminta" and Guarini's "Pastor Fido"; things which you will thoroughly like only after you are in the joke of thinking how people once seriously liked them as high examples of poetry.

The inhabitants of Tasso's world of romance are pale chivalric unrealities, lifeless as Spenser's half-allegoric knights and ladies; those of Pulci's Ardenne forests and Cathay deserts are buffoons such as Florentine shopmen may have trapped out for their amusement in rusty armour and garlands of sausages. The only lifelike heroes and heroines are those of Ariosto.

The original building stood on the site of an ancient temple; and it is probable that, with the exception of one of the bedrooms, which is said to have been Tasso's cabinet, the edifice retains none of the features which it possessed in the days of the poet.

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