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Updated: May 26, 2025


And he sang of the gods and the dwarf-folk, and of the deeds that had been in the time long past and gone. And a strange mist swam before Siegfried's eyes; and so bewitching were the strains that fell upon his ears, and filled his soul, that he forgot about his errand, and his master Mimer, and his father Siegmund, and his lowland home, and thought only of the heart-gladdening sounds.

I had, in fact, opened the poem of SIEGFRIED'S TOD with those scenes which now form the first act of the GOTTERDAMMERUNG. The details of Siegfried's relation to Brunhilda had been merely outlined to the listeners in a lyrico-episodical dialogue between the hero's wife, whom he had left behind in solitude, and a crowd of Valkyries passing before her rock.

It is part of the region over-ranged by the hunting-party of Hagen's devising. The horns of the hunters are heard in the distance, Siegfried's horn-call among them, and Hagen's. Our old acquaintances, the Rhine-daughters, rise to the surface of the water. They have warning or scent that Siegfried is not far, with the Ring, their stolen gold.

The whole thing is full of the yearning spirit of spring; and, not at all strangely, bears a marked family likeness to Siegfried's song about his mother in the Ring. Throughout the deliberations of the masters the music remains at a high level: there are no longueurs; dry recitative and barren attempts to treat prose poetically alike are absent.

I'll visit all your parishioners' lawn-parties and five o'clock teas for you, and I'll play Handel's Largo and Siegfried's Funeral March whenever you want to write sermons. Won't you like that?" "Perhaps," said Mr. Davis, dubiously.

"Love and delight he forced from me...." Her momentary hatred of Siegfried thus distorts the image of the past. Siegfried's only possible interpretation of this astonishing declaration is that the Tarnhelm did not properly conceal his identity but even so the woman is not speaking the truth. What her purpose can be in thus darkening her own fame he is at a loss to divine.

She lifted her hand to her lips and kissed the ring, Siegfried's pledge of love. "Heiho! hoyotoho! heiho!" came from the valley below. Brunhilde sprang to her feet with the answer: "Heiho! hoyotoho! heiho!" Could it be that one of her sisters was coming to see her? Was it possible that one of the Walkuere would so far dare Wotan's wrath as to venture to the mountain's crest? Nearer came the call:

For us, too, there occurred the moments when Siegfried's cavernous forest depths first breathed on us, when for the first time "Die Meistersinger" flaunted above the heads of all the world the gonfalon of art, when for the first time we embarked upon the shoreless golden sea of "Tristan und Isolde." For us, too, the name of Richard Wagner rang and sounded above all other musical names.

Kriemhild, dear lady, return to my country with me. That treason has bereft thee here of thy dear husband shall not be avenged on thee. I will stand by thee truly, for love of thy husband and his noble child. Thou shalt also have all the power that Siegfried, the valiant knight, gave thee. The land and the crown are thine, and all Siegfried's men shall serve thee gladly."

The poem has forgotten Siegfried's connection with Brunhild; it knows nothing of his penetrating the wall of flames to awake and rescue her, nothing of the betrothal of the two. In our poem Siegfried is carefully reared at his father's court in the Netherlands, and sets out with great pomp for the court of the Burgundians.

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