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Updated: June 23, 2025


Sargent's "Mother and Child" looked first-rate in its cool, soft colors. They put me in mind a good deal of Tirzah Ann and Babe. And "The Delaware Valley" and "A Gray Lowery Day," by Mr. George Inness, impressed me wonderfully. Many a day like it have I passed through in Jonesville. "Hard Times," also in a American department, wuz dretful impressive.

"I'll show you what can be done with the soil and not by cow-college graduates but by uneducated foreigners that the high and mighty American has always sneered at. I'll show you. It's one of the most wonderful demonstrations in the state." At Sargent's he left them in the machine a few minutes while he transacted business. "Whew! It beats hikin'," Billy said.

This was more easily done than satisfying the kind inquiries of the boys. So after trying the first day to evade them, Fred made a clean breast of it and told the whole story. I think, perhaps, Mr. Sargent's severe and unjust discipline had a far better effect upon the boys generally than upon Fred particularly.

I guess you know who is to blame for it, don't you?" Marjorie nodded. A faint touch of scorn curved her red lips. Mignon's growing friendship with Ronald Atwell was the talk of the cast. He frequently accompanied her home from school, invited her to Sargent's, and it was rumored that he was often a guest at dinner or luncheon at her home.

He was excessively surprised, as he supposed Rodney still to be Arthur Sargent's tutor. "You don't mean it?" he ejaculated. "Why not? Is there anything so strange about it?" "Yes. Did Ropes bring a recommendation from Mr. Goodnow?" "I suppose so. I don't know." "If he did, it's forged." "Why should it be?" "Goodnow wouldn't give him a recommendation." "Why wouldn't he?"

His great mural work in the Boston Public Library, is hardly to be surpassed. Above all, Sargent's portraits are masterly. He was famous in that branch of art before he was twenty-eight years old. Among his finest portraits is that of "Carmencita," a Spanish dancer, who for a time set the world wild with pleasure. The list of his famous portraits is very long.

Sargent addressed the Senate at length on the whole subject of Chinese immigration in California, and presented in full detail the grievances of which the people on the Pacific Coast complained. The Senate, reluctant to take at once so decisive a step as was involved in Mr. Sargent's resolution, adopted a substitute, moved by Mr.

For all art is an exchange of gain against loss you cannot have Sargent's truth of impression and Titian's truth of emotion in the same picture, nor Michelangelo's beauty of structure with Botticelli's beauty of line.

Sargent's drawing speaks without hesitation, a beautiful, decisive eloquence, the meaning never in excess of the expression, nor is the expression ever redundant." I said that we find in this portrait reserve not frequently to be met with in Mr. Sargent's work. What I first noticed in the picture was the admirable treatment of the hands.

Sargent's father was a Philadelphia physician; who originally came from New England, but the artist himself was born in Florence. He was given a good education and grew up with the beauties of Florence all about him, in a refined and charming home. He was the delight of his master, Carolus Durand for he was modest and refined, yet full of enthusiasm and energy.

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