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Updated: May 1, 2025


Every nerve in the entire frame now suddenly awakes with such a spasm of revivification that no parallel agony to that of the opium-eater at this stage can be adduced, unless it be that of the drowned person resuscitated by artificial means.

The gods are appealed to against the demons, whose grasp means death. Ninib and Gula are viewed as gods of healing. To be cured through their aid was to be snatched from the jaws of death. Moreover, Ninib and Marduk, as solar deities, symbolize the sun of spring, which brings about the revivification of nature.

In this sense, we have seen that Marduk, the god of spring, was also addressed as 'the restorer to life. But while the revivification of nature controls the conception of gods of healing, like Nin-azu, Ninib, and Gula, the extension of the idea would lead, naturally, to the association of these gods with the ruler of the nether world, at a time when it was still believed that this ruler could be moved by appeals to loosen her hold upon those whom she was about to drag to her kingdom.

But the transference of the shirt worn by the effigy of Death to the tree clearly indicates that the tree is a kind of revivification, in a new form, of the destroyed effigy.

"Donna Paltravi did not allow her anger to deprive her of her opportunities. There were so many new things she wanted to see that she set about seeing them with great earnestness and industry, and she enjoyed her new world very much indeed. The news of her revivification spread abroad rapidly, for such a thing could not be concealed; and many people came to see her.

Why shall I pause to relate how, time after time, until near the period of the gray dawn, this hideous drama of revivification was repeated; how each terrific relapse was only into a sterner and apparently more irredeemable death; how each agony wore the aspect of a struggle with some invisible foe; and how each struggle was succeeded by I know not what of wild change in the personal appearance of the corpse?

Later on we become acquainted for the first time with the potent motive of the restoration of the dismembered one, the revivification of the dead. For example, in the Finnish epic, Kalevala, Nasshut throws the Lemminkainen into the waters of the river of the dead.

His association with the death and revivification of plants gave a peculiarly human character to his mythical biography and a dramatic and picturesque tone to his cult. Of all ancient lords of the Otherworld it is Osiris that shows the most continuous progress and reaches the highest ethical plane a fact that must be referred to the intense interest of the Egyptians in the future.

We see here in actuality the mythical motive of dismemberment and revivification expressed in a naïve practice. It is quite noticeable that this practice follows the same lines as the mythical representation. The human child as result of cooking or else of a similar process in a vessel, is not infrequent in primitive myths.

The old people were supposed to laugh with joy at the revivification which was in store for them in a future state. So, too, the Hindoo widows used to laugh when seated on the funeral pyre ready to be burnt. Her laugh was caused by the thought of her escape from persecution and of the joyful resurrection soon to come.

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