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To believe this possible, considering the eager and suspicious jealousy and volubility of rival playwrights, is to be credulous indeed. The Baconians, representing Will almost as incapable of the use of pen and ink as "the old hermit of Prague," destroy their own case. A Will who had to make his mark, like his father, could not pose as an author even to the call-boy of his company. Mr.

He published, among other things, a Life of Schiller, a translation of Goethe's Wilhelm Meister, and two volumes of translations from the German romancers Tieck, Hoffmann, Richter, and Fouqué and contributed to the Edinburgh and Foreign Review articles on Goethe, Werner, Novalis, Richter, German playwrights, the Nibelungen Lied, etc. His own diction became more and more tinctured with Germanisms.

In later days from the time of M. George Ohnet's Maître de Forges onwards this is the aspect on which playwrights have preferred to dwell.

In the first place, one cannot turn over a few pages of Mr. Story's Nero without perceiving that he is imbued with the knowledge of classical things and times, and with the study of Shakespeare and the old English playwrights. The turn of the phrases and the march of the passages recall those best models, though without imitation.

But nobody cared to chronicle literary gossip about the private lives and personal traits of these and several other Elizabethan and Jacobean playwrights, in the modern manner. Of Beaumont there is none. Of a hand-maid of Fletcher, who drank sack in a tumbler, one anecdote appears at the end of the seventeenth century, nothing better.

He was naturally addicted to rhyme, though if we put aside the Sonnets we must admit that in rhyme he never did anything worth Marlowe's Hero and Leander: he did not, like Marlowe, see at once that it must be reserved for less active forms of poetry than the tragic drama; and he was personally, it seems, in opposition to Marlowe and his school of academic playwrights the band of bards in which Oxford and Cambridge were respectively and so respectably represented by Peele and Greene.

In the first place, interested in his progress, I had seen to it that he was properly introduced wherever that was possible and of benefit to him, and later on, by sheer force of his mental capacity and integrity, his dreams and his critical skill, he managed to center about him an entire band of seeking young writers, artists, poets, playwrights, aspiring musicians; an amusing and as interesting a group as I have ever seen.

He was surprised that Maxwell was not a member of the Players, and said that he must be; it was the only club for him, if he was going to write for the stage. He came out with them and pointed out several artists whose fame Maxwell knew, and half a dozen literary men, among them certain playwrights; they were all smoking, and the place was blue with the fumes of their cigars.

It was celebrated alike for high play and high company. As I never had a real passion for gambling, it was to me a place of great enjoyment, for there were some of the celebrated men of the day amongst its invited guests wits, poets, novelists, playwrights, painters in fact, all who had distinguished themselves in art or literature, law, science, or learning of any kind were always welcomed.

In turning over the leaves of divers old periodicals in search of the "Religion of Actors," I accidentally and unexpectedly found an article by Charles Lamb entitled, "On the Custom of Hissing at the Theatres, with some Account of a Club of Damned Authors." Lamb, we know, was a great lover of the drama, a true patron and admirer of playwrights and play-actors.