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Updated: June 18, 2025
A dialogue, which to the trained ear was obviously more or less an improvisation, then followed: Manager: "What will you do with that dollar, Frank?" Frank: "I shall go to the movies. I always go to the movies when there's a Norma Talmadge picture. Ask me why I always go to the movies when there's a Norma Talmadge picture."
It has the universal diagnostic of the metaphysical mode of thought, in the Comtean sense of the word; that of erecting a mere creation of the mind into a test or norma of external truth, and presenting the abstract expression of the beliefs already entertained, as the reason and evidence which justifies them.
"I think either Prexy or Miss Rutledge ought to be told," concurred Ethel. "It would nip the whole business in the bud. There'll be more of this sort of thing if it isn't stopped right away. "Did you hear what I said, Jane?" she questioned over her shoulder to Jane, who was walking behind her with Norma. Ethel, Adrienne and Judith had taken the lead. "Yes, I heard.
"We might push Libbie in," suggested Bobby wickedly. "Then she could tell us how deep it is." This had the effect of sending Libbie scurrying away from the dangerous place, and the others followed her more slowly to resume the search for nuts. "I wish we could think of a way, Norma, dear," said Betty. "Oh, I don't care not so very much," answered Norma bravely. But then she sighed deeply.
I fancied that both proctors and professors had worried over him when he was in college. Particularly I tried to discover how he acted when he met Norma. It was easy to see that he was very eager to greet her, but I fancied that there was some restraint on her part. Perhaps she felt that we were watching and was on her guard. Dominick greeted Everson warmly.
After an operatic campaign in Dresden, in the highest degree pleasant to herself and satisfactory to the public, in which she sang, in addition to Vielka, the parts of Norma, Amina, and Maria in "La Figlia del Reggimento," Jenny Lind returned to Stockholm to take part in the coronation of the King of Sweden.
The same year a Kemble, the last of the family who redeemed for a time the fallen fortunes of Covent Garden Theatre, Adelaide, the beautiful and accomplished younger daughter of Charles Kemble, brother to John Kemble and Sarah Siddons, came out as an operatic-singer in the part of "Norma." She was welcomed as her sweet voice, fine acting, and the traditions of her family deserved.
"What is the pleasure of this indignation meeting? You know what we think, Jane. Let's hear from you and Norma." "Oh, I haven't any voice in the matter," smiled Norma. "That is, I've no right to decide anything." "Neither have I, but I'm speaking just the same," laughed Ethel. "I say, 'On to Prexy with the horrible tale."
The whole performance was lamentably inferior to that at the Opera-House in 1832. "Norma" was produced, Schröder-Devrient being seconded by Wilson, Giubilei, and Miss Betts. She was either very ill advised or overconfident, for her "massy" style of singing was totally at variance with the light beauty of Bellini's music.
He had stopped outside to send his wife some flowers, and just a brief line of farewell, and he was thinking so hard of Norma that it seemed natural that the woman who was coming toward him, in the great central concourse, should suggest her.
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