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Updated: June 16, 2025
Nightjars, noise made by some male, with their wings; elongated feathers in. Nilghau, sexual differences of colour in the. Nilsson, Prof., on the resemblance of stone arrow-heads from various places; on the development of the horns of the reindeer. Nipples, absence of, in Monotremata. Nitsche, Dr., ear of foetal orang. Nitzsch, C.L., on the down of birds. Noctuae, brightly-coloured beneath.
The Dalecarlians rose against what they deemed sacrilege, under the leadership of Måns Nilsson and Anders Persson of Rankhyttan, the very men who had befriended Gustav in his need, and the insurrection spread. The "War of the Bells" was settled with the sword, and the peasants gave in. But Gustav came of a stock that "never forgot."
But to describe "Mignon" to the public of today, which has heard it almost an innumerable number of times, is, as much as in the case of Gounod's "Faust," "carrying coals to Newcastle." In 1868 Thomas produced "Hamlet," and it was represented at the Grand Opera, with Mile. Christine Nilsson in the rôle of Ophelia, the same singer having, if we mistake not, created the rôle of Mignon.
Nilsson is tall, graceful, slight, and very attractive, without being actually handsome. She acts well and naturally, and with intelligence, without exerting herself; she has the happy faculty of understanding and seizing things au vol, instead of studying them. She has a regal future before her. A second Jenny Lind! Their careers are rather similar.
The magic arrows of Glooskap are of course worldwide, and date from the shafts of Abaris and those used among the ancient Jews for divination. By Svent Nilsson. It is important here to compare this old Algonquin account of the Creation with that of the Iroquois, or Six Nations, as given by David Cusick, himself an Indian: "There was a woman who was with child, with twins.
Carvalho and perpetuated by Christine Nilsson and the painter Ary Scheffer, Marguerite is a good deal of a grande dame, and against the German critics it might appositely be pleaded that there are more traces of childish ingenuousness in her rejoicing over the casket of jewels than in any of her other utterances.
"I can't; I'm going to the French theater." "From Nilsson?" Betsy queried in horror, though she could not herself have distinguished Nilsson's voice from any chorus girl's. "Can't help it. I've an appointment there, all to do with my mission of peace." "Blessed are the peacemakers; theirs is the kingdom of heaven," said Betsy, vaguely recollecting she had heard some similar saying from someone.
Quigg, however, was more than welcome to Jennie to-day. A little sense of wounded pride sent the hot color to her cheeks when she thought of Carl's apparent neglect. He had hardly spoken to her in weeks. What had she done that he should treat her so? She would show him that there were just as good fellows about as Mr. Carl Nilsson.
The cotter's wife croons it over her sleeping baby; the lover sings it to his sweetheart; the child runs, carolling it, through the summer fields; finally, some world-honored prima-donna, some Patti or Nilsson, sings it as the final touch of perfection to a great feast of music, and hearts swell and eyes overflow to find that the nursery song of our childhood is a world-song, immortal in freshness and beauty.
Agassiz had had to get a living off the farm at Willoughby Pastures, he would have found time to make money. What did Mr. Sewell mean by speaking of that Nilsson lady by her surname, without any Miss or Mrs.? Was that the way people talked in Boston? Mr.
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