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Towards evening Konstantin Levin went to his counting house, gave directions as to the work to be done, and sent about the village to summon the mowers for the morrow, to cut the hay in Kalinov meadow, the largest and best of his grass lands. "And send my scythe, please, to Tit, for him to set it, and bring it round tomorrow.
"Look at the clock, do; why, it's going on for half-past nine, and I've sent the gells to bed this half-hour, and late enough too; when they've got to get up at half after four, and the mowers' bottles to fill, and the baking; and here's this blessed child wi' the fever for what I know, and as wakeful as if it was dinner-time, and nobody to help me to give her the physic but your uncle, and fine work there's been, and half of it spilt on her night-gown it's well if she's swallowed more nor 'ull make her worse i'stead o' better.
In consequence the farmer puts on every man who applies for work, everything goes on first-rate, and there is a prospect of getting the crop in speedily. At the end of the week the mowers draw their money, quite a lump for them, and away they go to the ale-house. Saturday night sees them as drunk as men can be.
Pease and Samuel, and their helpers, made every path straight and clean, raked the groves of all rubbish, and the two horse mowers and the roller were at work on the lawns, making them like velvet carpets. Nancy came out of Jessie Pease's cottage one day to see a handsome man in a gray suit, with gray spats, and gray hair, and even a gray silk shirt, walking slowly up the drive toward the Hall.
At the afternoon rest, when they were sitting down again, and those who smoked had lighted their pipes, the old man told the men that "Mashkin Upland's to be cut there'll be some vodka." "Why not cut it? Come on, Tit! We'll look sharp! We can eat at night. Come on!" cried voices, and eating up their bread, the mowers went back to work.
Your days of hope are over, and you want to drowse by the fire. I want to see the white men's cities grow, and the armies coming over the hill with the ploughs and the reapers and the mowers, and the wheels and the belts and engines of the great factories, and the white woman's life spreading everywhere; for I am a white man's daughter. I can't be both Indian and white.
He never liked to hear the bobolink sing, however, for he said it always reminded him of the whetting of a scythe, and that reminded him of spreading hay; and if there was anything he hated, it was spreading hay after the mowers. "I guess you would n't like it yourself," said John, "with the stubbs getting into your feet, and the hot sun, and the men getting ahead of you, all you could do."
The first impression is profound; not that Hals was profound in the sense of Rembrandt's profundity, but because of the almost terrifying vitality of these portraits. Prosaic men and women, great trenchermen, devourers of huge pasties, mowers down of wine-bottles and beer-tankards, they live with such vitality on the canvases of Hals that you instinctively lower your voice.
The children help both in haymaking and reaping. In spring and autumn they hoe and do other piece-work. On pasture farms they beat clots or pick up stones out of the way of the mowers' scythes. Occasionally, but rarely now, they milk. In winter they wear gaiters, which give the ankles a most ungainly appearance.
The peasants toil so, that on every occasion, the mowers, before the end of the third stint, whether weak, young, or old, can hardly walk as they totter past the last rows, and only with difficulty are they able to rise after the breathing-spell; and the women, often pregnant, or nursing infants, work in the same way. The toil is intense and incessant.
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