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Updated: June 12, 2025


Having shown, Mahtotohpa flung away his horn, threw his gun to the ground, and setting his buffalo-hide shield upon his left arm, deliberately strung his bow and placed an arrow upon the string. The Cheyenne chief was a mighty warrior. He likewise cast aside his powder-horn and gun, adjusted his painted shield, prepared bow and arrow. Again they charged.

Over the coals was hanging a pot of cooked meat; beside the fire were the pipe and the pouch of red-willow smoking tobacco, just as left by Wongatap. Amidst the dusk Mahtotohpa ate well of the cooked meat; and filling the pipe, smoked calmly, half lying down, on one elbow. "Who is that man, who enters our lodge and eats of our food and smokes of our tobacco?" he heard Wongatap's wife ask.

He knew the village well, for there had been brief periods when the Mandans and the Arikarees were at peace; besides, it was a warrior's business to know an enemy's lodges. The Arikaree towns were much the same as the Mandan towns. Now Mahtotohpa lay outside and watched, until at dusk he might slip through between the pickets, and seek the lodge of Wongatap.

The warriors of both parties had formed a circle close about, watching. Mahtotohpa staggered up, with the Cheyenne's scalp and knife, and gave the kill whoop and thus victory rested with the Mandans. That was Mahtotohpa's most famous battle. In another battle he got his name, Four Bears.

These stories, and others, as pictured by the robe, Mahtotohpa told to Artist Catlin, while Indian trader James Kipp translated the words, and Four Bears acted out the scenes; and they three sat upon the robe itself. The Cheyenne chief's knife he gave to Artist Catlin.

Some years back, maybe seven or eight, the Mandans and the Arikarees had met on horses near the Mandan towns, and had fought. The Mandans chased the Arikarees, but after the chase the brother of Mahtotohpa did not come in.

His war-club was a round stone wrapped in raw-hide at the end of a cow-tail, like a policeman's billy. After his portrait was painted, Mahtotohpa spread out his wonderful robe, and told the stories of the twelve battles and the fourteen scalps pictured on it by his own hand; and these stories included that of his Arikaree lance, and Cheyenne knife. The lance story came about in this way.

"I wear scalps at my horse's bit, and the eagle's feathers." "You have said enough," replied Mahtotohpa. "Come. Let us meet." Forward hammered the Cheyenne chief, riding splendidly in circles, until he dashed in and planted his lance, also, at the side of Mahtotohpa's lance. That was his answer. They each drew off a little way, while the Mandan warriors and the Cheyenne warriors gazed expectant.

Before he arrived at the Artist Catlin lodge to have his portrait painted, the warning ran ahead of him: "Mahtotohpa is coming in full dress!" He was escorted by a great throng of admiring women and children. Now it was twelve o'clock noon, and he had been since early morning getting ready, so as to appear as befitted a noble chief.

Mahtotohpa sprang nimbly off. And off from his own horse sprang the Cheyenne chief, that he might not have the advantage. They plied their bows, on foot. Soon the brave Cheyenne stripped his quiver from his left shoulder and flourished it. It was empty. He tossed it away, and tossed away bow and shield. Then he drew his knife.

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