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Love your neighbour. That chap? says the citizen. Beggar my neighbour is his motto. Love, moya! He's a nice pattern of a Romeo and Juliet. Love loves to love love. Nurse loves the new chemist. Constable 14A loves Mary Kelly. Gerty MacDowell loves the boy that has the bicycle. M. B. loves a fair gentleman. Li Chi Han lovey up kissy Cha Pu Chow. Jumbo, the elephant, loves Alice, the elephant.
Both teams came to a stand-still, and we told the Sergeant the news. Bewilderment, surprise, joy, followed each other on the old Sergeant's countenance. He turned his heavy team about, and promised to reach Camp MacDowell as soon as the animals could make it.
He "was recalled enthusiastically, and with many bravos, and may be proud of the success he has achieved." Until then, as MacDowell confessed, with engaging candour, to Mr. Henry T. Finck, he "had never waked up to the idea" that his music could be worth actual study or memorising.
Surprise was dead in Archie where the Governor was concerned; he could only marvel at the ease and finish with which the man made the room vibrate with the most exquisite melodies of Schumann, Chopin, MacDowell. He played for half an hour without airs or affectations, things that bruised and hurt the spirit by their very tenderness and wistfulness.
It is clear that these are the views of a composer who placed veracious declamation of the poetic idea very much to the front in his conception of the art of the song-writer. They explain in part, also, the fact that MacDowell himself wrote the words of many of his songs, though, quite characteristically, he did not avow the fact in the printed music.
MacDowell, whose fixed principle it was to permit her son to decide his affairs according to his lights, thereupon considered with him the merits of various European Conservatories of reputation. They thought of Moscow, because of Nicholas Rubinstein's connection with the Conservatory there.
But this, to repeat, is not vital, the main thing being that MacDowell has a distinct and impressive individuality, and uses his profound scholarship in the pursuit of novelty that is not cheaply sensational, and is yet novelty. He has, for instance, theories as to the textures of sounds, and his chord-formations and progressions are quite his own.
MacDowell, telling her he had shown the drawing to an eminent painter, also an instructor at the École des Beaux Arts. The painter had been so greatly impressed with the boy's talent that he offered him a three years' course of free instruction, under his own supervision. He also promised to be responsible for Edward's support during that time.
In later years they lived successively at 13 West Cedar Street and at 38 Chestnut Street. Though all of his more important music was as yet unwritten, MacDowell found himself already established in the view of the musical public as a composer abundantly worthy of honour at the hands of his countrymen.
In the music of MacDowell there is no hint of these matters; there is rather the infinitely touching emotion of those rare beings who are in their interior lives both passionate and shy: they know desire and sorrow, supreme ardour and enamoured tenderness; but they do not know either the languor or the dementia of eroticism; they are haunted and swept by beauty, but they are not sickened or oppressed by it.