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Updated: May 12, 2025
She did not see the yawl, though it had landed. "Mon père! O mon père mon pauvre père!" "He'll turn up, mam'sel," said a voice she did not like. There were two men in the skiff. Lucrèce now observed their appearance closely.
Letellier did not wait to be exiled. Madame de Maintenon took refuge at Saint Cyr, and Monsieur le Duc de Maine shut himself up in the beautiful town of Sceaux, to finish his translation of Lucrece. The Chevalier d'Harmental saw, as a passive spectator, these different intrigues, waiting till they should assume a character which would permit him to take part in them.
If he happened to bring his young friend Boccaccio, the story teller, with him, so much the better. They were both men of their time, full of curiosity, willing to read everything once, digging in forgotten and musty libraries that they might find still another manuscript of Virgil or Ovid or Lucrece or any of the other old Latin poets. They were good Christians. Of course they were! Everyone was.
Caroline shook her loose ringlets of abundant but somewhat coarse hair over her rolling black eyes; parting her lips, as full as those of a hot-blooded Maroon, she showed her well-set teeth sparkling between them, and treated me at the same time to a smile "de sa facon." Beautiful as Pauline Borghese, she looked at the moment scarcely purer than Lucrece de Borgia. Caroline was of noble family.
With better fortune Rachel appeared in the same author's "Virginie," and in the "Lucrèce" of Ponsard. Voltaire's "Oreste" was revived for her in 1845 that she might play Electre. She personated Racine's "Athalie" in 1847, assuming long white locks, painting furrows on her face, and disguising herself beyond recognition, in her determination to seem completely the character she had undertaken.
Lucrèce and Evaleen had readily fallen into sympathetic relations. Days of chattering on deck, and nights of prattle before falling asleep on the same couch, left few girlish secrets unexchanged. The scant experience of Lucrèce's isolated life had brought her only a small stock of personal doings or feelings to disclose.
The most remarkable thing in this fete was the indescribable luxury of flowers and shrubs, which must doubtless have been collected at great expense, owing to the severity of the winter. The halls of Lucrece and of La Reunion, in which the dancing quadrilles were formed, resembled an immense parterre of roses, laurel, lilac, jonquils, lilies, and jessamine.
Now we cannot here enter upon the question; but we would recommend any of our readers who are interested in it not to attempt to make up their minds upon it before considering a passage in another of his poems, which may throw some light on the subject for them. It is the description of a painting, contained in "The Rape of Lucrece," towards the end of the poem.
Venus and Adonis owes to Ovid, at most, but ideas for three purple patches, scattered in different parts of the Metamorphoses. Lucrece is based on the then untranslated Fasti of Ovid. I do not think Shakespeare incapable of reading such easy Latin for himself; or too proud to ask help from a friend, or buy it from some poor young University man in London.
In this investigation, I could not, I thought, do better than keep before me the earliest work of the greatest genius that perhaps human nature has yet produced, our myriad-minded Shakespeare. I mean the Venus and Adonis, and the Lucrece; works which give at once strong promises of the strength, and yet obvious proofs of the immaturity, of his genius.
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