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Updated: June 18, 2025
Much of this peculiar gift of fascination is certainly due to Turgenev's mastery over all the resources of our rich, flexible, and musical language. The poet Lermontov alone wrote as splendid a prose as Turgenev. A good deal of its charm is unavoidably lost in translation.
In the cadets' library were chaste excerpts from Pushkin and Lermontov; all of Ostrovsky, who only made you laugh; and almost all of Turgenev, who was the very one that played a chief and cruel role in Kolya's life.
When his attention was drawn to an illuminating essay on the poet Lermontov he was pleased with it, not because it demonstrated Lermontov's position in the literary history of Russia, but because it pointed out the moral aims which underlay the wild Byronism of his works.
He left the University in 1847. From his fourteenth to his twenty-first year the books that he read with the most profit were Sterne's "Sentimental Journey," under the influence of which he wrote his first story, Pushkin, Schiller's "Robbers," Lermontov, Gogol, Turgenev's "A Sportsman's Sketches;" and to a less degree he was affected by the New Testament, Rousseau, Dickens's "David Copperfield," and the historical works of the American Prescott.
Kollomietzev came in the evening; his own estate was only about ten miles away from "Arjanov," the name of Sipiagin's village. There also came a certain justice of the peace, a squire, of the kind so admirably described in the two famous lines of Lermontov Behind a cravat, frock coat to the heels Moustache, squeaky voice and heavy glance.
We find it in Byronian Lermontov, who sees nothing in life but "une plaisanterie;" in Dostoyevsky, who has written so many striking pages of realism on the bitterness of a life without religious faith; and in the realist Turgenev, we find the same kind of thing.
I say Lermontov, but heaven knows that that great Russian poet was not supposed to be going to have much to say in the affair. This performance had been in preparation for at least ten years, and when such delights as Gordon Craig's setting of "Hamlet," or Benois' dresses for "La Locandiera" were discussed, the Wise Ones said: "Ah, all very well just wait until you see 'Masquerade."
Petrograd, like every other city in the world, is artistic only by the persistence of its minority. I'm sure that there were Princesses and Grand Dukes and Grand Duchesses for any one who needed them, and it was only in the gallery where the students and their girl-friends were gathered that the name of Lermontov was mentioned.
The need of representing naked reality, without any decorations, is, so to speak, innate in the Russian author, who cannot, for any length of time, be led away from this practice. This is the very reason why the Byronian influence, at the time of Pushkin and Lermontov, lasted such a short time.
I took up Lermontov and began hurriedly turning over the pages; but, as fate would have it, I kept coming across poems likely to agitate Pasinkov again. At last I read him 'The Gifts of Terek. 'Jingling rhetoric! said my poor friend, with the tone of a preceptor; 'but there are fine passages.
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