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Let's get on with it." Charlie led the way to his car, an elderly red Volvo. "Rocinante," Margery remembered. "As good as ever." Charlie lowered the bag into the back seat. "Could we swing by the library? I need to return these books." "Sure. What have you been reading?" "Tolstoy. The Russians. Dostoyevsky, Chekhov." "That'll get you through a long night."

The literature of Russia, too, reflects this trait of the Russian soul, and not only in the works of Pushkin, Gogol, Tourgeneiff, Tolstoy, Repin, Dostoyevsky, and Glinka, or yet in Kuprine, Gorki, Anoutchin, Merejkowsky, and Baranovsky, but in those simpler and perhaps cruder writings which speak directly to uneducated minds, the same striving after the spiritual is everywhere to be seen.

Most of Andreyev's characters, like those of Dostoyevsky, are abnormal, madmen and neurasthenics in whom are distinguishable marked traces of degeneration and psychic perversion. They are beings who have been fatally wounded in their life-struggle, whose minds now are completely or partially powerless.

And finally, who does not know the sad comedy of Dostoyevsky, who was made to go through all the preparations for his execution, but was finally sent to that prison which he has so wonderfully described in his recollections of "The Dead House"? The Damocles' sword of defiant authority was suspended over the head of every Russian writer.

Epilepsy, just the same, may occur in men gifted with the sort of transcendent ability called genius. Mohammed, Lord Byron, Dostoyevsky, Flaubert, to name a few cases, are famous instances.

The cold spirit of system of the Revolutionary Terrorists is presented as the natural and legitimate outcome of bureaucratic formalism. A cunningly produced atmosphere of weird irreality pervades the whole book. It is in many ways a descendant of Dostoyevsky and has in its turn again produced a numerous family of imitations, including Pilniak's most characteristic tales of the Revolution.

That is to say, he is an exquisite story-teller, profound and touching, who imposes neither thesis nor moral upon his reader, but paints life as it appears to him, not seen through the medium of a temperament, but in all sincerity, without too much ardor or too much indifference. Dostoyevsky. This author was born in 1870.

Although the sentence was commuted to hard labor in Siberia, and although six years later he was freed and again took up his writing, his mind never rose from beneath the weight of horror and hopelessness that hangs over offenders against the Great White Czar. Dostoyevsky, sentenced as a criminal, herded with criminals, really became a criminal in literary imagination.

She read no more than the opening words, but she had read enough to realize that it was, indeed, her father's will. Feodor Mikhailovitch Dostoyevsky Crime and Punishment* If to sensitive readers the story seems so real as to be hideous, it is well to recall that Dostoyevsky in 1849 underwent the agony of sentence to death as a revolutionist.

Thus the germs of the past had expanded triumphantly in the work of Gogol, and the way was now clear for Turgenev, Dostoyevsky, Tolstoy, Goncharov, Ostrovsky, and Pisemsky, who, while enlarging the range and perfecting the methods of the naturalistic school, conquered for their native literature the place which it has definitely assumed in the world.