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Updated: June 19, 2025
As she watched her beloved Albert, after toiling with state documents and public functions, devoting every spare moment of his time to domestic duties, to artistic appreciation, and to intellectual improvements; as she listened to him cracking his jokes at the luncheon table, or playing Mendelssohn on the organ, or pointing out the merits of Sir Edwin Landseer's pictures; as she followed him round while he gave instructions about the breeding of cattle, or decided that the Gainsboroughs must be hung higher up so that the Winterhalters might be properly seen she felt perfectly certain that no other wife had ever had such a husband.
The man behind his work was seen through it sensitive, variously gifted, manly, genial, tender-hearted, simple and unaffected; a lover of animals, children and humanity; and if any one wishes to see at a glance nearly all we have written, let him look at Landseer's portrait, painted by himself, with a canine connoisseur on either side. Monkhouse Happy lives make dull biographies.
As the said picture was an excellent copy of one of Landseer's stags, Felix and I were well pleased; but Peter averred that he would rather have the Madonna that looked like his Aunt Jane, and the Story Girl agreed that if his sermon was the best she would give him that. "But who's to be the judge?" I said, "and what kind of a sermon would you call the best?"
The staircase, which is flooded with light from the beautiful stained-glass window, has many fine canvases, notably Landseer's original study for the companion to "Bolton Abbey in the Olden Time," a genuine Holbein of Harry the Eighth, a Linnell, small but precious, for it cost three hundred guineas, and the sketch for Sir Joshua Reynolds's "Holy Family."
Among Landseer's other famous dog pictures are "Low Life and High Life," "Dignity and Impudence" and "The Sleeping Bloodhound," all in the National Gallery. Classical French School 1600-1689 Pupil of Godfrey Wals Of all the contrasts between the early and later lives of great artists, Claude Lorrain gives us the most complete. He was born to make pastry.
And Lennan had a vision of eight or ten young maidens trailing round at the skirts of one old maiden, admiring Landseer's dogs, giggling faintly at Botticelli's angels, gaping, rustling, chattering like young birds in a shrubbery. But with all her surroundings, this child of Johnny Dromoredom was as yet more innocent than cultured girls of the same age.
The fresh matting on the floors, the light cane sofa and chairs, the white muslin curtains and newly-painted green blinds imparted an appearance of delicious coolness and repose to the rooms; and while not one bright-hued painting was visible, the walls were hung with soft, gray, misty engravings of Landseer's pictures, framed in carved ebony and rosewood and oak.
His public is largely the same public which weeps over the death of little Nell and loves to look at Landseer's "The Old Shepherd's Chief Mourner." Longfellow and Dickens and Landseer were all great artists and did admirable work, but scarcely the very highest work.
Hitchcock had seen no good reason why he should degrade the huge steel engraving of the Aurora, which hung prominently at the foot of the stairs, in spite of its light oak frame, which was in shocking contrast with the mahogany panels of the walls. Flanking the staircase were other engravings, Landseer's stags and the inevitable Queen Louise.
Above the mantelpiece, which was bare save for the two candles, was a Pears' Annual picture Landseer's "Lion and Lioness," fastened to the wall with tacks driven through little round buttons of scarlet flannel. There was a table covered with white oil-cloth on which stood a basin and jug and an old pink saucer. Two chairs leaned against the wall; one of them proved to have only three legs.
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