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Updated: June 27, 2025


Nevertheless, he was, like all really strong men, gentle in speech, simple in manner, and naturally kind." Certainly Balzac, as usual, did not err on the side of modesty! Curiously enough, the very day February 28th, 1832 on which Balzac wrote to accept the offer of the Marquise de Castries' friendship, was the day that the first letter from L'Etrangere reached him.

I give you my word that the play shall keep its title of L'Etrangere. And now embrace me with good grace, to show that you are no longer angry with me." I embraced him, and from that day we were good friends. That evening I told the whole tale to Croizette, and I saw that she knew nothing about this wicked scheme. I was very pleased to know that. The play was very successful.

The recommendation came rather oddly from the dramatist who, in L'Etrangère, had disposed of his "vibrion," the Duc de Septmonts, by making Clarkson kill him in a duel. Perhaps he did not reckon L'Etrangère as pretending to reproduce a phase of real life. A duel is, of course, perfectly admissible in a French or German play, simply as part of a picture of manners.

We were to play L'Etrangere that night at the Gaiety, and, as my role was not a very fatiguing one, I wanted to perform my part quand-meme. Dr. Parrot arrived by the four o'clock boat, and refused categorically to give his consent. He had attended me from my childhood. I really felt much better, and the feverishness had left me. I wanted to get up, but to this Dr. Parrot objected. Presently Dr.

In the recently published "Lettres a l'etrangere" of Honore de Balzac, this about Sand is very apropos. A visit paid to George Sand at Nohant, in March 1838, brought the following to Madame Hanska: It was rather well that I saw her, for we exchanged confidences regarding Sandeau.

In August, 1831, appeared "La Peau de Chagrin," which so disappointed Madame Hanska by its cynical tone, that she was impelled to write the first letter from L'Etrangere, which reached Balzac on February 28th, 1832, a date never to be forgotten in the annals of his life.

Coquelin was requested to ask Lloyd to take my part, as she had played this role at the Comedie when I was ill. Lloyd was afraid to undertake it, though, and refused. It was decided to change the play, and Tartufe was given instead of L'Etrangere. Nearly all the public, however, asked to have their money refunded, and the receipts, which would have been about L500, only amounted to L84.

Nevertheless, though there are still blank spaces to be filled, as well as difficulties to overcome and puzzles to unravel, much fresh information has lately been discovered about the great writer, notably the "Lettres a l'Etrangere," published in 1899, a collection of some of the letters written by Balzac, from 1833 to 1848, to Madame Hanska, the Polish lady who afterwards became his wife.

He was leaving an hour later, and would not even come and shake hands with me. I felt quite sure, though, that we should make it all up again on my return. I then began to prepare for my role in L'Etrangere. While dressing I fainted three times, but I was determined to play quand-meme. The opium that I had taken in my potion made my head rather heavy.

I was to play eight pieces: Hernani, Phedre, Adrienne Lecouvreur, Froufrou, La Dame aux Camelias, Le Sphinx, L'Etrangere, and La Princesse Georges. I ordered twenty-five modern dresses at Laferriere's, of whom I was then a customer. At Baron's I ordered six costumes for Adrienne Lecouvreur and four costumes for Hernani. I ordered from a young theatre costumier named Lepaul my costume for Phedre.

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