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Updated: May 14, 2025


After the first act he turned to Sylvain Kohn, who asked him, with glittering eyes: "Well, old man, what do you think of it?" And he said: "Is it like that all through?" "Yes." "But it's nothing." Kohn protested loudly, and called him a Philistine. "Nothing at all," said Christophe. "No music. No development. No sequence. No cohesion. Very nice harmony. Quite good orchestral effects, quite good.

His body was released for burial without any difficulty. In the newspaper "The Other A" Theo Tontod provided a short obituary. And the Club Clou sent a wreath. Ilka Leipke had herself taken to observe the body before the burial. The coffin was opened quickly. In it Kohn lay somewhat askew, because of the hump. The features of his face were distorted in a grimace. His hands were rolled up lumps.

But I don't think there is a man among them who has any claim to be a musician." He meant it as a joke, not as an insult: but Christophe did not take it so. He would have replied in kind if Kohn had not anticipated him. "Oh, come, come!" he said to Hecht. "You must do me the justice to admit that I know nothing at all about it." "That's to your credit," replied Hecht.

But his native pessimism, derived perhaps from his Christian education, urged him on to probe to the depths of human baseness. "I have no right to stand on ceremony. I must try everything before I give in." And an inward voice added: "And I shall not give in." He made sure of the address, and went to hunt up Kohn He made up his mind to hit him in the eye at the first show of impertinence.

Once outside the hotel he raised his haggard face to heaven and dumbly queried of the Almighty what He meant by saving him from quick death on the field of honor only to condemn him to be talked to death by B. Cohens in civil life. It was now six o'clock. Suddenly Peck had an inspiration. Was the name spelled Cohen, Cohan, Cohn, Kohn or Coen?

Christophe went back to his lair. He was full of gentle thoughts. "What a good fellow! What a good fellow!" he thought. "How unjust I was about him. And he bears me no ill-will!" He was remorseful, and he was on the point of writing to tell Kohn how sorry he was to have misjudged him, and to beg his forgiveness for all the harm he had done him. The tears came to his eyes as he thought of it.

Kohn to read from his works on a certain evening. Eight days before the appointed evening a placard went up on the city's pillar for notices. On it was written: Announcement Kuno Kohn will read from his own works at the Clou Club. Young girls and lawyers kindly requested not to attend. As the evening approached, Kuno Kohn became increasingly agitated. Two hours before he had himself shaved.

Schulz and Kohn collaborated with the enthusiastic little Lutz Laus, to produce a monthly journal, "The Dachshund," designed to refine the level of immorality. Schulz told Kohn that the Dachshund-Laus would soon invent a godless religion on neo-legal principles, for which purpose he intended to call an organizational meeting in a nearby movie-house. Shaking his head, Kohn listened.

II. Scene Kohn, Laaks in bathtub. Laaks made an attack on Max's femininity. Laaks and Kohn meet. Kohn greets him, Laaks catches up. Invites him to visit. "No, Mr Laaks". Kohn trembles "Would you like to take a bath?" "I have already bathed." Moonlight shines on the two in the bathtub. In hairy nakedness his hairy legs, like a woman's a man's man. III. Scene in homosexual bar. IV. Abortion scene.

"While you are waiting for lessons, would you care to do some work for a music publisher?" Christophe accepted eagerly. "I've got the very thing," said Kohn. "I know one of the partners in a big firm of music publishers Daniel Hecht. I'll introduce you. You'll see what there is to do. I don't know anything about it, you know. But Hecht is a real musician. You'll get on with him all right."

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