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Updated: May 12, 2025
“But, gentlemen of the jury, why do I tell you all this, all these details, trifles?” cried Ippolit Kirillovitch suddenly. “Just because the prisoner still persists in these absurdities to this moment.
I believe it was just eight o’clock when the President returned to his seat and our prosecutor, Ippolit Kirillovitch, began his speech. Sketches Of Character Ippolit Kirillovitch began his speech, trembling with nervousness, with cold sweat on his forehead, feeling hot and cold all over by turns. He described this himself afterwards.
He wanted to find out at once where she was, so he ran to her lodging and learnt an unexpected and astounding piece of news—she had gone off to Mokroe to meet her first lover.” The End Of The Prosecutor’s Speech. Ippolit Kirillovitch had chosen the historical method of exposition, beloved by all nervous orators, who find in its limitation a check on their own eager rhetoric.
And he tries to persuade us of that, us, who understand his character, who know his state of mind at the moment, and that he knew the signals by which he could at once enter the house.” At this point Ippolit Kirillovitch broke off to discuss exhaustively the suspected connection of Smerdyakov with the murder.
We, on our side, will do everything in our power, and you can see for yourself how we are conducting the case. You approve, Ippolit Kirillovitch?” He turned to the prosecutor. “Oh, undoubtedly,” replied the prosecutor. His tone was somewhat cold, compared with Nikolay Parfenovitch’s impulsiveness.
Greeting and saying a few words to everyone, he sat down without once glancing at Levin, who had never taken his eyes off him. "Let me introduce you," said the princess, indicating Levin. "Konstantin Dmitrievitch Levin, Count Alexey Kirillovitch Vronsky." Vronsky got up and, looking cordially at Levin, shook hands with him.
It was said that Ippolit Kirillovitch was in a tremor at meeting Fetyukovitch, and that they had been enemies from the beginning of their careers in Petersburg, that though our sensitive prosecutor, who always considered that he had been aggrieved by some one in Petersburg because his talents had not been properly appreciated, was keenly excited over the Karamazov case, and was even dreaming of rebuilding his flagging fortunes by means of it, Fetyukovitch, they said, was his one anxiety.
When the prosecutor mentioned Rakitin’s opinion of her, a smile of contempt and anger passed over his face and he murmured rather audibly, “The Bernards!” When Ippolit Kirillovitch described how he had questioned and tortured him at Mokroe, Mitya raised his head and listened with intense curiosity.
After describing the result of this conversation and the moment when the prisoner learnt that Grushenka had not remained at Samsonov’s, the sudden frenzy of the luckless man worn out with jealousy and nervous exhaustion, at the thought that she had deceived him and was now with his father, Ippolit Kirillovitch concluded by dwelling upon the fatal influence of chance. “Had the maid told him that her mistress was at Mokroe with her former lover, nothing would have happened.
Here Ippolit Kirillovitch drew a minute picture of Mitya’s preparations, the scene at Perhotin’s, at the shop, with the drivers. He quoted numerous words and actions, confirmed by witnesses, and the picture made a terrible impression on the audience. The guilt of this harassed and desperate man stood out clear and convincing, when the facts were brought together. “What need had he of precaution?
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