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Updated: June 6, 2025


It is usually a surprise to the beginner to be made aware that the individual line is a thing of consequence, a surprise due, without doubt, to the apparently careless methods of some successful illustrators.

Serious and sad young men who were going to be poets; intense fellows who were going to rehabilitate the Drama, or write the Greatest Novel; illustrators, journalists, critics, painters, types in velvet coats, flowing ties, flowing locks, and astonishing hats, sculptors, makers of exquisite bits of craftsmanship, models, masters, singers of sorts, actors and actresses, sewing-girls, frightful old concièrges; students from the four corners of the earth driven hither by the four winds of heaven, came and went in the devil-may-care wake of Stocks and the Checkleighs and disported themselves before the reflective and appreciative eyes of Peter Champneys.

John was our great sculptor, though I'm not sure she makes any clear distinctions between a sculptor and a maker of gravestones; and I assured her that we had several magazine editors, and writers, and illustrators, and painters, and leading journalists, and some of the very foremost of our German citizens. 'Oh, yes, she replied, 'newspaper men, artists, and Germans!

But for this our illustrators must do their best, appreciate the endless capacity of their form. It is to the big picture what the short story is to the novel. It is doubtless too much, I hasten to add, to ask Mr. Reinhart, for instance, to work to please the twentieth century.

It may also be incidentally mentioned that this M. Johannot was the ancestor of two well-known painters and designers, Alfred and Tony, who have been the illustrators of some of our finest artistic works.

The Austro-Hungarians, on the other hand, prepared from the first for a large number of civilian observers, including news and special writers, photographers, illustrators, and painters, and, to handle them satisfactorily, organized a special department of the army, this Presse-Quartier, once admitted to which the fakirs and fly-by-nights were supposed to be weeded out by the preliminary red tape they were assumed to be serious workmen and treated as the army's guests.

Occasionally, a visitor from abroad appeared Felix Buhot every Thursday that one winter, or, more rarely Paul Renouard, in London for the Graphic, his appearance an event for the illustrators who already reverenced him as a veteran.

A certain club of good fellows of both sexes, journalists, authors, illustrators, actors, men of pleasure, and Bohemians generally, used to gather on Sunday evenings, a merry decade ago, round the hospitable table of an Italian lady who had acquired her culinary accomplishments under the distinguished eye of M. Martin late chef to M. de Lesseps, and present proprietor of Martin's Restaurant before she attempted to practice on her own account, so to speak, in the basement of a dingy brick house in West Twelfth Street.

The Scripture illustrations of Raphael most familiar to you may probably be his cartoon designs for tapestry in the South Kensington Museum, which were bought by Charles I. In these you can see what is meant about the clothes, but you will not be surprised at them, because the same have been adopted by the majority of Bible illustrators ever since the days of Raphael.

The term is considered synonymous of horse or pony. This is not so. A horse is "bronco" when he is ugly or mean or vicious or unbroken. So is a cow "bronco" in the same condition, or a mule, or a burro. Again, from certain Western illustrators and from a few samples, our notion of the cow-pony has become that of a lean, rangy, wiry, thin-necked, scrawny beast. Such may be found.

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