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La Place's edition was gracefully illustrated with sixteen plates by Hubert Bourguignon, called Gravelot, one of those eighteenth-century illustrators whose designs at present are the rage in Paris. In England, Fielding's best-known pictorial interpreters are Rowlandson and Cruikshank, the latter being by far the more sympathetic.
Several young men were approaching them, and the criminologist noted with relief that they evidenced their afternoon libations even so early. Eyes dulled with over-stimulus were the less analytical. Chance was favoring him. The newcomers were garbed in that debonair and "cultured" modishness so dear to the hearts of magazine illustrators.
Only a great creative genius could so dominate, for instance, his mere "illustrators," as to mesmerize them completely into his manner. And certainly his illustrators are drugged with the Dickens atmosphere.
We shall study in the next chapter his Neo-Impressionist comrades, and we shall now speak of some illustrators more advanced in years than he. The oldest in date is the engraver Henri Guérard, who died three years ago. He had married Eva Gonzalès and was a friend of Manet's, many of whose works have been engraved by him.
"They paint little things in a forceful way, but they do not seem as yet to see things as a whole. I miss that sense of the universe in miniature which we find in the canvases of so many of the great Europeans. They are better illustrators than artists over here why I don't know." M. Anatole Charles spoke English almost more than perfectly.
"I mean people who live by their wits writers, illustrators, actors, newspaper men, with a smattering of Wall Street brokers seeking a little mild diversion as we are, and foreigners to whom this place has a sentimental interest because it reminds them of home.
The exhibit included three or four hundred volumes, picture books by the best American, English, French, German, Italian, Danish, and Russian illustrators, inexpensive copies and also new and beautiful editions of old favorites, finely illustrated books attractive to growing-up young people, and the best of the season's output. It had many visitors, some of them coming several times.
This altogether admirable tradition rules the vaudeville stage, facetious illustrators, and syndicated newspaper humor, but out of actual life it passed forty years ago.
His illustrations are those of a great artist admirable in colour, movement and observation; all the great principles of Impressionism are embodied in them. But there are four more illustrators of the first rank: Steinlen, Louis Legrand, Paul Renouard and Auguste Lepère. Steinlen has been enormously productive: he is specially remarkable for his illustrations.
The chief phrase of which the wily flatterer makes use, as he bows with affected humility to his sovereign, is, "Oh, Father of Beauty," by which indirect compliment he generally gains his wishes. The early German writers have also chosen him as the principal hero of various histories, and the poem of "Reynard, the Fox," will live as long as printers and illustrators exercise their art and talent.
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