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Each of these checks bore the signature of Abel T. Landover and a seal devised by Peter Snipe, who besides being an author was something of a draughtsman, indeed, his enemies said he was a far better artist than he was an author, which annoyed him tremendously in view of the fact that he had stopped drawing when he was fifteen because eminent cartoonists and illustrators had told him he had no talent at all.

Some painters illustrators, if you please, in those early days in fact, made their original designs direct upon the wood. The effects of light and dark were then cut out in lines, curved or otherwise, with suitable cross-hatchings, as the necessity of the drawing required, or left comparatively untouched. It is not my purpose to discuss here the different merits of the different schools.

By IRVING BACHELLER, author of "Eben Holden" and "D'ri and I." Six illustrations by prominent illustrators. Decorative cover, gilt top, rough edges. Price, $1.25, net.

Niehaus in a series of articles on "Women Illustrators of America," whom she divided into classes, placed her with the "Story-Tellers." <b>FORBES, MRS. STANHOPE.</b> Mr. Norman Gastin, in an article upon the work of the Royal Academician, Stanhope Forbes, in the Studio, July, 1901, pays the following tribute to the wife of the artist, whose maiden name was Elizabeth Armstrong: "Mrs.

It has been thought, too, that the ideal edition of Scott's works would not be complete without an adequate portrayal of his more memorable characters. This has been accomplished in a series of frontispieces specially painted for this edition by twenty of the most distinguished illustrators of England.

It consists of four scriptural scenes which might be called the direct forerunners of Sir John Gilbert and the modern illustrators.

In this respect he was like all good illustrators: he had his properties, and by new combinations made new pictures. Who has not noticed that every painter carries in his kit his own distinct types sealed, certified to, and copyrighted by popular favor as his own personal property?

Ernest George men known even to distinction for their skill along lines of purely architectural practice, yet any one of whom would, I venture to say, cause considerable displacement did he invade the ranks of magazine illustrators.

It is strange that this element of incongruity, underlying the whole humour and purpose of the book, should have been so little heeded by the majority of those who have undertaken to interpret "Don Quixote." It has been completely overlooked, for example, by the illustrators. To be sure, the great majority of the artists who illustrated "Don Quixote" knew nothing whatever of Spain.

The author believed in it by this time, and the firm of Webster & Co. was really formed for the purpose of publishing it. Mark Twain took an active interest in the process. From the pages of "Life" he selected an artist a young man named E. W. Kemble, who would later become one of our foremost illustrators of Southern character.