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He has shown me the copies of the pieces which were inspected by your distinguished kinsmen, and which completely clear you of the charge that grant me your pardon when I say seemed to me still to remain unanswered when I had the honour to meet you last night." "It appears to me, Monsieur Hennequin, that you, as an avocat so eminent, might have convinced yourself very readily of that fact."

In some private affair concerning his property, De Mauleon had had occasion to consult Hennequin, then a rising young avocat. Out of that consultation a friendship had sprung up, despite the differing habits and social grades of the two men. One day, calling on Hennequin, he found him in a state of great nervous excitement.

He was engaged at his desk writing, a book with its leaves open before him, "Paul Louis Courier," that model of political irony and masculine style of composition. There was a ring at his door-bell. The Vicomte kept no servant. He rose and answered the summons. He recoiled a few paces on recognizing his visitor in M. Hennequin.

"Yes; where they are well borne," said Colfavru. "Kératry bears them badly." "Nothing is greater," resumed Esquiros, "than great octogenarians." "It is glorious," added Chamiot, "to be presided over by Nestor." "No, by Gerontes," said Victor Hennequin. These words put an end to the debate. Kératry was thrown out.

Finally a treaty of peace was arranged, by which, at the death of Charles-le-Téméraire, according to usage, Louis XI absorbed the proprietary rights in the castle and made it a Maison Royale, bestowing it upon one of his favourites, Dame Gillette Hennequin.

That same day De Mauleon remitted to Hennequin an apology for heated words freely retracted, which satisfied all his friends. For the service thus rendered by De Mauleon, Hennequin declared himself everlastingly indebted. In fact, he entirely owed to that friend his life, his marriage, his honour, his career.

And, adds the writer, 'if my best friend were under the same accusation, I should be so afraid of being considered his accomplice that I should put my best friend outside the door. Perhaps, Monsieur Hennequin, I was seized with the first alarm. Why should I blame you if seized with the second? Happily, this good city of Paris has its reactions. And you can now offer me your hand.

It resembles the maguéy, though the leaves are not so broad, nor do they grow from the ground; the hennequín leaves are long, narrow, sharp-pointed, and rather thickly set upon a woody stalk that grows upright to a height of several feet. The leaves are trimmed off, from season to season, leaving the bare stalk, showing the leaf-scar. The upper leaves continue to grow.

Germain, the column was composed almost entirely of men belonging to the majority. At the corner of the Quai d'Orsay they met a group of members of the Left, who had reunited after their exit from the Palace of the Assembly, and who were consulting together. There were the Representatives Esquiros, Marc Dufraisse, Victor Hennequin, Colfavru, and Chamiot.

Besides, many sculptors such as Beauneveu and Hennequin were equally skilled in the art of painting. The latter's Annunciation, Presentation in the Temple and Flight into Egypt prepare the way for the Adoration of the Lamb, though far from being equal to it. These pictures serve as a link between the Belgian Art of the fifteenth and the fourteenth centuries.