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The good man Gargantua, having in one hand two great bundles of petitions endorsed and answered, and in the other some remembrancing notes and bills, to put him in mind of such other requests of supplicants, which, albeit presented, had nevertheless been neither read nor heard, he gave both to Ulric Gallet, his ancient and faithful Master of Requests; then drew aside Pantagruel, and, with a countenance more serene and jovial than customary, spoke to him thus: I praise God, and have great reason so to do, my most dear son, that he hath been pleased to entertain in you a constant inclination to virtuous actions.

These words being told unto the king, he would by no means consent that they should open the gate; but, getting upon the top of the bulwark, said unto the ambassador, What is the news, what have you to say? Then the ambassador began to speak as followeth. The speech made by Gallet to Picrochole.

When Madame Adam founded the Nouvelle Revue she offered me the position of musical critic, which I did not think I ought to accept. She did not know where to turn. "Take Gallet," I advised her. "He is an accomplished man of letters. He is not a musician in the sense that he has studied music, but he has the soul of a musician, which is worth much more."

Opera, it is said, should spring from the brain like Minerva, fully armed. So much the better if such divine intellects can be found, but they are rare and always will be. For dramatic and literary art on the one hand and musical art on the other require different powers, which are not ordinarily found in the same person. I first met Louis Gallet in 1871.

"A heavier ship," said the barber, "built to go more slowly, wouldn't be pitching like this." Next he spoke of a little person, who dyed her hair, a dancer. She had spent more than an hour in his chair, having him show her rouge and face powders, until finally he had displayed his entire stock of Pinaud and Roger et Gallet. The barber chuckled.

So, with a light heart at the knowledge that he had committed no offence, he got into the car, and allowed the polite police agent to seat himself beside him. The only chagrin he felt was that the chauffeur had overheard all the conversation. And to him he said: "Remember, Gallet, of this affair you know nothing." "I understand perfectly, m'sieur," was the wondering soldier's reply.

As he stood staring blankly across the valley he heard the hum of an approaching motor-car, and saw that it was General Molon's, being driven by Gallet, the soldier chauffeur. There was no passenger, but the car entered the iron gates and pulled up before the door.

The story told by the man Gallet was that Le Pontois had been met by two gentlemen and given a message that he was required urgently in Paris, and they had driven at once over to Verdun, where they had just caught the train. "Did Monsieur Le Pontois leave any other message for madame?" asked Sir Hugh in French. "No, m'sieur."

As there was no time to look for another dancer that season du Locle, to keep me patient, had me write with Louis Gallet La Princesse Jaune, with which I made my debut on the stage. I was thirty-five! This harmless little work was received with the fiercest hostility. "It is impossible to tell," wrote Jouvin, a much feared critic of the time, "in what key or in what time the overture is written."

Gallet used the same blank verse in Déjanire, although its use here was more debatable, but he handled it with surprising skill. Now that this text has been set to music, it shows its full beauty. Louis Gallet devoted a large part of his time to administrative duties, for he was successively treasurer and manager of hospitals. Nevertheless he produced works in abundance.