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Updated: May 12, 2025
Hubert interrupted her as he read aloud: "In case of illness, or of bad treatment, the superintendent is authorised to change the nurses of the children." Below it was written that the child Angelique Marie had been given on June 20 to the care of Theresa, wife of Louis Franchomme, both of them makers of artificial flowers in Paris. "Ah! I understand," said Hubertine.
"But what was my surprise," said M. Franchomme, from whom I have the story, "when some time after I heard Chopin renew his complaints and speak of his distress in the most poignant terms.
He adores Mozart knows all his operas by heart. Decidedly I am only making blots to-day pardon me for them. Au revoir, dear friend, I love you always, and I think of you every day. Give my kind regards to Madame Franchomme, and embrace the dear children. September 22, 1845.
Scherzo, Adagio, and Finale of the Sonata in G minor, for piano and violoncello, composed by M. Chopin, and performed by the author and M. Franchomme. Air nouveau from Robert le Diable, composed by M. Meyerbeer, sung by M. Roger. Preludes, | | Mazurkas, | composed and performed by M. Chopin. | Valse, | Accompanists: MM. Aulary and de Garaude.
When the comradeship came to an end I do not know, but I think I do know how it came to an end. He said: "There was a cessation of intimacy, but no enmity. Franchomme explained the mystery to me, and his explanation was confirmed by what I learned from Madame Rubio. The circumstances are of too delicate a nature to be set forth in detail.
I prefer the latter version, which is reconcilable with George Sand's letters, confirmed by the testimony of several of Chopin's friends, and given by an honest, simple-minded man who may be trusted to have told a plain unvarnished tale. On this point all agree Franchomme, Gutmann, Kwiatkowski, Madame Rubio, Liszt, &c.
Yours devotedly, Chateau de Nohant, September 20, 1844. Dearest, If I did not write you before, it was because I thought I should see you again this week in Paris. What shall I say? She wrote to me about it since from Strasburg, and asked me to remember her to you and Madame Franchomme. I hope you are all well, and that I shall find you so. Write to me, and love me as I love you. Your old
Madame Sand begs to be remembered to you and Madame Franchomme. Chateau de Nohant, near La Chatre, September 17, 1846. Very dear friend, I am very sorry that Brandus is away, and that Maho is not yet in a position to receive the manuscripts that he has so often asked me for this winter.
So let us accept without too much questioning as did Balzac, a reader of souls, the Sand-Chopin partnership and follow its sinuous course until 1847. Chopin met Sand at a musical matinee in 1837. Niecks throttles every romantic yarn about the pair that has been spoken or printed. He got his facts viva voce from Franchomme.
Gutmann was sure that this matinee took place either in 1836 or in 1837, and was inclined to think that it was in the first-mentioned year. Franchomme, whom I questioned about the matinee at the Marquis de Custine's, had no recollection of it. Nor did he remember the circumstance of having on this or any other occasion played a trio of Mayseder's with Gutmann and Vidal.
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