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His connection with, and influence upon, the Dresden group of romanticists, including Tieck, is a matter of record, and Fouqué looked upon him as a poet of uncommon ability. But let no one on this account believe that Loeben was a great poet and that the silence concerning him is therefore grimly unjust.

In the quietness the doctor's low voice is heard: "I did not wish to show you that, but it cannot last any longer the time has come. Give me the genealogical tree of Rougon-Macquart." Yes! The genealogical tree of Rougon-Macquart! The reading of it begins: There was one Adelaïde Fouqué, who married Rougon-Macquart's friend.

Take that into consideration, and decide then whether you will stay at home or obey the call." The two men who had been by his side at the head of the procession, Jahn, the brave Turner, and the chivalrous La Motte Fouque, now ascended the balcony. "I do not care to stay at home when my country calls me to her aid!" exclaimed M. de la Motte Fouque, in a loud, sonorous voice.

Sir Walter, between reverence and realism, only took the earlier part of the story, but Fouque gives us the positive struggle, and carries us along with the final victory and subsequent peace. His tale has had a remarkable power over the readers. We cannot but mention two remarkable instances at either end of the scale.

Thus from various sides the historical romance of the Greeks finds its way into Roman historiography; and it is more than probable that not the least portion of what we are accustomed nowadays to call tradition of the Roman primitive times proceeds from sources of the stamp of Amadis of Gaul and the chivalrous romances of Fouque an edifying consideration, at least for those who have a relish for the humour of history and who know how to appreciate the comical aspect of the piety still cherished in certain circles of the nineteenth century for king Numa.

He wrote several important books on botany, topography, and ethnology, but became even more famous through his poems, ballads and romances. "Peter Schlemihl," which was written in 1813 was published in the following year by Chamisso's friend Fouqué, and achieved so great a success that it was translated into most languages. Chamisso died in Berlin on August 21, 1838. I. The Grey Man

Jahn galloped up to the poet, who was riding in thoughtful silence at the head of his company; it is true, he had heard the solicitations of the young men, but continued his way, smiling and muttering to himself. "Fouque," shouted Jahn, in his stentorian voice; "do you not hear the requests of our bold youths? Give some expression to the enthusiasm burning in their hearts.

What becomes of all the German that is crammed down girl's throats, whether they have a turn for languages or not? Do they ever read a German book? Now you learnt it for love of Fouque and Max Piccolomini, and you have kept it up ever since. 'Yes, by cramming it down my children's throats.

Even though he is to be credited with the first modern dramatization of the Nibelungen story, The Hero of the North , and though he took subjects from the Germanic past and from the chivalric days, he brought no new life to his rehabilitations. Fouqué was too productive, too facile, too external, too indifferent to psychological motivation to be real. He diluted Romanticism and sentimentalized it.

The evening breeze had begun to sigh, breathing perfume from the flowers and wafting their scents on its wings; and two nightingales were singing a lovely duetto in among the thick darkling leafage, in the tenderest accents of love-complaining. Albertine began, quoting from Fouqué