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Updated: June 8, 2025


By my interests and work in so many other directions in literature, journalism, education, philanthropy, and religion which had been testified to by so many notable people on that occasion, I hoped to prove that I was not a mere faddist, who could be led away by a chimerical fantasy.

All held fast to the nearest, the true, the actual, and even the pictures of their fantasy have bone and marrow. Man, and whatever was human, was considered of the highest value, and all his inner and external relations to the world were represented with the same great intelligence with which they were observed.

"The 'Meistersinger' is to Wagner's other conceptions what the 'Winter's Tale' is to Shakespeare's other works. Its fantasy is founded on gayety and drollery, and it has called up the Nuremberg of the Middle Ages, with its guilds, its poet-artisans, its pedants, its cavaliers, to draw forth the freshest laughter in the midst of the highest, the most ideal poetry."

Its refined and ingenious speculations were wasted upon a fantasy. This want of sound knowledge has for us here a twofold significance. It points to one cause of the imperfect success of the ideals of Jesus and of Paul. And by its defect it points us forward to a fulfillment, when at a later age Virtue and Knowledge should be wed.

It would be difficult to imagine for heroes of this legend two officers of infantry of the line, for example, whose fantasy is tamed by much walking exercise, and whose valour necessarily must be of a more plodding kind. As to gunners or engineers, whose heads are kept cool on a diet of mathematics, it is simply unthinkable.

I know not what to think, Hammond. God grant that I am not mad and that this is not an insane fantasy!” “Let us reason a little, Harry. Here is a solid body which we touch but which we cannot see. The fact is so unusual that it strikes us with terror. Is there no parallel, though, for such a phenomenon? Take a piece of pure glass. It is tangible and transparent.

And most of them then do not fail to declare: 'The author has described himself in his work. But no, my dear friends and readers, it is you, and only you, whom I have painted in my book, 'The Little Demon." In "The Charms of Navii" Sologoub happily blends fantasy and reality.

And now by some magic jugglery of ordinary events, each well within the bounds of credibility, yet so overwhelmingly incredible in their sequence and completeness, he was Sylvia's lover, her defender, her trusted knight-errant. Even the concluding words of that big, round-headed, sensible detective had brought a fantasy nearer attainment.

It can come but once, this dream, fantasy, illusion call it what you will: it belongs to the birth hour of a new and powerful feeling; it is the first sunrise of the heart. What comes after may be the calmer joy of a more truthful, a less ideal emotion, but the transitory glory of the love and passion of youth shoots higher than all other glories into the sky of time.

By this time truly crazy thoughts interacted with memory as if the mind were attempting to cause her to recognize herself in the midst of absurd fantasy.

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